Colonialism — The Green Flame Podcast

Colonialism — The Green Flame Podcast

This episode of The Green Flame focuses on colonization and has three interviews: the first with Anne Keala Kelly, a native Hawaiian organizer, journalist, and award-winning filmmaker; the second with Mari Boine, a world-reknowned Sami indigenous musician; and the third with a river.

We discuss colonization, history, tourism, the TMT telescope project on Mauna Kea, indigenous peoples of Europe, music, and how to connect with the land. Three of Mari Boine’s songs are used in this episode, with permission: Gula Gula, Goaskinvielija (Eagle Brother), and Vilges Suola.

Subscribe to The Green Flame Podcast

About The Green Flame

The Green Flame is a Deep Green Resistance podcast offering revolutionary analysis, skill sharing, and inspiration for the movement to save the planet by any means necessary. Our hosts are Max Wilbert and Jennifer Murnan.

Bios

Anne Keala Kelly is a journalist and filmmaker. Keala’s published articles and Op-Eds have appeared in the Honolulu Star-Advertiser, The Nation, Indian Country Today, Honolulu Weekly, Honolulu Civil Beat, Hana Hou! Magazine, Big Island Journal, and other publications. Her broadcast journalism has aired on Free Speech Radio News, Independent Native News, Al Jazeera English, The Newshour with Jim Lehrer, Democracy Now!, The Environment Report, and more. She is a frequent guest commentator on First Voices Indigenous Radio, and has been interviewed on numerous nationally syndicated radio programs, from KPFK Los Angeles’ Rise-Up to Native America Calling in Anchorage to the Australia Broadcast Corporation’s Pacific Beat. Her reporting on Hawaiian poverty and homelessness garnered her Native American Journalism Awards. And her documentary, Noho Hewa: The Wrongful Occupation of Hawai’i, has received international film festival awards, and is widely taught in university courses focusing on Indigenous Peoples, colonization, Hawaiian sovereignty, and militarism. Keala is an outspoken Native advocate for Indigenous representation in media, and has been a guest speaker at universities in Hawai’i, the U.S., and Aotearoa-New Zealand. She has delivered conference keynotes and participated in conference and community panels and roundtables. She has an MFA in production from the UCLA School of Theater, Film, and Television. To learn more about her film, go to www.nohohewa.com.

Mari Boine: Imagine the ice and snow of the Arctic landscape, the bitter cold of the Northern wind, the hint of compelling blue under a crystallized lake. Close your eyes. Then listen. Really listen. You’ll feel a voice before you even hear it. It’s like none other. It’s a voice that brings the landscape alive with a mesmerizing purity; a voice that represents a thousand years of ancestral connection to an unyielding frozen space. This is Mari Boine. Musician. Songwriter. Singer. A genre-bending trailblazer with a taste for jazz, folk, rock, and world. An artist whose music is inspired by and infused with her Sámi roots. A woman who knows who she is, where she’s come from and what she stands for. A music icon who has inspired indigenous artists the world over.

Mauna Kea: What it is, why it’s happening, and why we should all be paying attention

Mauna Kea: What it is, why it’s happening, and why we should all be paying attention

Featured image: Tim Rawle, CC BY-NC-ND 2.0
At the base of Mauna Kea, the world’s tallest mountain and the first point on earth where raindrops touch the earth, the largest land defense action in modern Hawaiian history is currently in taking place and the entire movement is being guided by love.

For Indigenous Hawaiians, it could not be any other way. In Hawaiian cosmology, Mauna Kea is the origin place of the Hawaiian people. The Hawaiian genealogy teaches that the summit of the mountain is the meeting place of Earth Mother, Papahānaumoku, and Sky Father, Wākea and that the Hawaiian people are directly descended from this union. Therefore, Mauna Kea is utmost sacred ground; it is the piko (umbilical cord) of Native Hawaiian existence.

The mountain is home to innumerable lepa (altars), akua (gods and goddesses) burials and ceremonial sites that have been in use since the existence of the Hawaiian people. Holidays and ceremonial traditions are carried out on the mountain, with families maintaining and visiting their specific lepa generation after generation. For some families, newborn babies umbilical cords are brought to the aquifer at the summit of the mountain, to ground them in their homelands just as their ancestors had done.

Like Christians in church or Muslims in a mosque, being on the Mauna necessitates acting in one’s highest state of being. In the Native Hawaiian language, this is referred to as “kapu aloha” or state of love. Although there are currently innumerable Indigenous land rights and sovereignty frontlines around the world, Mauna Kea is distinct in that every action being taken for the protection of the mountain is being guided entirely by love for the land, for the community and for all of creation.

Understanding the TMT

Although Mauna Kea is both crown land (lands belonging to the former king of the Hawaiian Kingdom, Kamehameha) and is zoned as a conservation area, there are already 13 telescopes constructed on the summit of the mountain dating back to 1968. Many of these were built without proper permits and against the wishes of the local community. While some remain in use, others have been abandoned and left dormant. In fact, the Thirty Metre Telescope (TMT) was initially slated to be built in 2015 but following island-wide protests, 31 arrests and global pressure was forced back into the Hawaiian courts.

The mountain is not only spiritually significant but also ecologically fragile, with unique biogeoclimatic zones and a freshwater aquifer that is the source of freshwater for the Big Island. For decades there has been concern over mismanagement of the observatories; including waste management and mercury spills. Despite these issues remaining unaddressed, the proposal to build the world’s largest telescope – led by the University of California and partner institutions from Canada, China, India, and Japan, as well as the Gordon and Betty Moore Foundation – it was approved in the Hawaiian courts. The granting of the building permits came despite years of oppositional testimony from Native Hawaiian elders, knowledge keepers, professors, legal scholars, and local residents.

Plans for the Thirty Meter Telescope would see it constructed 18 stories high, 9 stories down and 5 acres wide. The design for the 1.4 billion dollar project was created in Port Coquitlam by Guy Nelson, CEO of Empire Industries which owns Dynamic Structures. Although there has been an environmental impact statement carried out by the University of Hawai’i at Hilo (one of the invested parties for the TMT), there is deep mistrust amongst the Mauna Protectors about the depth and accuracy of the report relating to previous mismanagement of telescopes in the area as well as potential ulterior economic motives driving the construction of the TMT from politicians.

While the TMT project manager has stated that they would be happy to build the project at an alternative location in the Canary Islands, Hawaiian politicians have taken desperate action to push it through, including declaring a state of emergency in order to bring in the National Guard. In addition to the cultural impact of the TMT, there remain many questions regarding the environmental impacts a structure of this size would have in a time of extreme climate change. Mauna Kea is a storm barrier for the rest of the Hawaiian archipelago that has repeatedly shielded the other islands from storm systems, as well as provided an essential freshwater source for the Big Island.

An occupied kingdom

In order to understand the uprising of land and cultural defense that is currently unfolding on Mauna Kea, a certain level of historical context is necessary.

Although many outsiders have been programmed to see Hawai’i as an American State, the majority of Indigenous Hawaiians understand themselves to be living under the occupation of the US government and military, as Hawai’i was a sovereign kingdom and internationally recognized as an independent nation. On January 16, 1893 the nation was invaded by United States marines which led to an illegal overthrow of the Hawaiian government the following day. Nearly a year later in his message to Congress, President Grover Cleveland acknowledged that this was an unlawful act and advised it’s a reversal. Although this advice was never heeded, in 1993 – one hundred years later- President Bill Clinton signed legislation apologizing for the U.S. role in the 1893 overthrow but the apology did not provide federal recognition to Native Hawaiians like the federal laws provided to Native American tribes.

Although much of the world does not know this history, the Native Hawaiian people have never forgotten the injustice. And like most other Indigenous nations whose lands are being occupied by colonial states, the grievance of land theft and unlawful occupation was just the first in an endless list of human rights breaches and transgressions. In Hawai’i, this includes the military occupation on many of the islands, where land is often used for target practice for uncontained bombing. The Disney-fication and gentrification of the Islands have also led to Native Hawaiians being pushed out of their original communities and away from traditional ways of life. The rising cost of housing and economic incentive to develop land for vacation and retirement housing has meant that homelessness is a significant issue for the Original Peoples of the Islands. Additionally, the overdevelopment, ecological mismanagement and use of the territory as a military testing sacrifice zone have created species and habitat endangerment that has led to the Department of Lands and Resources policing Native Hawaiian peoples from being able to carry out traditional forms of sustenance such as fishing and trapping. After 126 years of fighting for basic rights and recognition as Indigenous people, Mauna Kea has become a turning point and united Native Hawaiians to come together in aloha ‘aina (love of the land) and say – no more.

Pu’uhonua o Pu’uhuluhulu: A new kind of frontline

Following the July 10th, 2019 announcement that construction would begin the following week, a small group of 33 Native Hawaiian kupuna (elders), kumu (knowledge keepers), and kia’i  (land protectors) drove to the base of Mauna Kea to set up camp. When they arrived on the evening of July 12th, there were just 13 cars.

Camille Kalama, a lawyer who is part of HULI (Hawaiian Unity and Liberation Institute) and one of the first to arrive at the mountain, shared that upon their arrival there was no formal plan or sense of whether others would join them. But by the end of that first weekend, the group had grown to 500.

Under the authority of the Royal Order of Kamehameha (an order of knighthood established by King Kamehameha V that dates back to 1865) and guided by Native Hawaiian ceremonial protocol the camp at the base of Mauna was deemed a Pu’u Honua (sanctuary) wherein kapu aloha (a state of love and respect) was put into effect. Under kapu aloha protocols, everyone is welcome as long as they act with aloha ‘aina (love of the land), treat others with kindness and respect, refrain from swearing and do not bring in drugs, alcohol or cigarettes. As one of the leaders of the movement, Pua Case repeatedly stated, “We shall not leave one grain of rice on this land”.

Early in the week, in anticipation for the arrival of construction trucks and state police, a frontline was established under the guidance of the kupuna who insisted they be the first line of defense. Behind them, a group of protectors chained themselves to the road on a cattle grate. From the inception of this frontline, kupuna have remained day after day blocking the main access road.

On Wednesday, July 17th, construction vehicles arrived escorted by local police. Within hours, 35 kupuna in their 70s and 80s were arrested. Many of whom needed walkers to make it to the police vans and others who had to be pushed in their wheelchairs; their younger counterparts wept, sang and prayed as they walked behind each individual who was escorted away by law enforcement. By the middle of the day the police had retreated, while the footage and images of elderly Mauna protectors streamed around the world. By mid-week, thousands were on the mountain and a small self-sustaining community had been created, named Pu’uhonua o Pu’uhuluhulu (roughly translated to Fuzzy Mountain Sanctuary after the hill facing Mauna Kea). Dozens of solidarity actions began popping up across the Hawaiian Islands, as well as in mainland USA, Canada, Aotearoa, and Japan, among others.

Why We Should All Be Paying Attention

While Mauna Kea has certainly been receiving ample international media attention, what many of the news reports are not describing how kapu aloha has remained the guiding principle of everything that is occurring from the Mauna protectors.

What has been created at Pu’u Honua o Pu’uhuluhulu in a few short weeks is nothing short of extraordinary. Every morning begins with prayer, oli (chanting), mo`olelo (story) and cultural activities including hula; kupuna set the tone for the day with reminders of what it means to be in a state of kapu aloha and provide necessary information for all those staying at the pu’uhonua. Every evening ends in much the same way.

All-day long, rain or shine, storytellers, dancers or musicians perform for the kupuna and anyone else who wants to witness and learn. The Pu’uhonua feeds three warms meals to anywhere from hundreds to thousands of people a day. There are dozens of latrines set up that are regularly cleaned, pumped out and fully stocked. There is a medical station, childcare, legal advisors and an area where masseurs and healers provide bodywork to anyone who seeks it. A free university has been set-up that runs four sessions a day, with five distinct classes in each session from 9:30 am to 3:30 pm; as one of my instructors there said, “its a place where tuition is free, everyone is welcome and the bathrooms are gender inclusive”. There is daily non-violent direct action training, which is mandatory for anyone planning to stay on the mountain. There is even a designated team of crossing guards who ensure the safe crossing of pedestrians, highway traffic, and delivery vehicles all day every day. While crossing, it is common for both pedestrians and crossing guards to be calling mahalo (thank you), aloha (love) and ku kia’i mauna (guardians of the mountain).

All of this is being run entirely by layers of volunteer leadership. The people who have come to protect the mountain have also begun to embody the principle of carrying deeply for one another, and it is working. Other than love and service, there is no currency on the mountain and yet everyone from small children, teens, families, and elders are fully cared for. As soon as you enter the pu’uhonua you can feel this shift, as though a doorway to another way of being has been created at the base of the world’s tallest mountain.

Although I was not present for the arrests, while I was on the Mauna I was told that as the kupuna where being taken away by police, they were praying for them, telling them they were not angry with them, that they understood. As is stated in Mathew 5:44, “love your enemies and pray for those who persecute you”, what the kapu aloha embodied at Mauna Kea is so powerful that not even those who have come to destroy the mountain itself can break that way of being.

I wish the world could understand that the Mauna is a church; and what is taking place there now is sacred, people are living in harmony and ceremony with one another and the land, and showing us all that another world is possible.

Global Significance

In the three weeks, Pu’uhonua o Pu’uhuluhulu has become a beacon for Indigenous land-based direct action and cultural revitalization. It is reframing a narrative from one in which Indigenous land defense and human rights struggles vie amongst one another for external support to one in which each action exists in solidarity with and strengthens one another. It is refuting the notion that scientific progress is inherently antithetical to Indigenous knowledge paradigms and offering alternative, decolonized ways forward. In an interview with Democracy Now, Mauna protector Pua Case explained, “We are making a stand as not just Native people and not just the local community, but really a worldwide community, because there are so many similarities… there are Native people everywhere around the world standing for their mountaintops, for their waters, for their land bases, their oceans, and their lifeways. We are no different than them.” Mauna Kea is proving not only to other Indigenous frontline communities, but to all of us that another world is possible, another way of being with one another and the earth grounded in love and the wisdom of our ancestors is viable and attainable not only in our lifetimes, but in this moment. The kia’i on the Mauna are living, breathing, thriving examples of this everyday.

During my time there not only did delegations of support arrive from Aotearoa, Tahiti, and Tonga, but so did high profile visitors such as The Rock, Damien Marley and Jason Mamoa. One of these visitors was the founder of the Sacred Stone Camp at Standing Rock, LaDonna Bravebull Allard who came to support Mauna leader Pua Case- the two refer to one another as sisters. When she arrived on the Mauna, Bravebull Allard expressed that she had come to “give her sister a hug” and shared stories of how it was Case’s phone calls that got her through even the hardest days of Standing Rock. During her stay, she accepted requests to teach a session at University Pu’uhuluhulu. In which she shared that witnessing what is occurring at Mauna Kea helped her to understand her role in Standing Rock, “it was a seed we planted”, and look what has emerged, “the Mauna is bringing families together, it is bringing nations together, this Mauna is bringing the world together.”

What you can do

Further Reading

Environmental Impact Statement / TMT Alternate Site Statement / State of Emergency / Sovereign Kingdom / Annexation of Hawai’i / Pu’u Honua Pu’uhuluhulu / Pua Case on Democracy Now / Gordon and Betty Moore Divestment Petition / ACURA divestment petition / ACURA Member list / Donate Airmiles / Hawaii Community Bail Fund / HULI Paypal / KAHEA Site / Pu’uhuluhulu Instagram / Whose Land / Decolonization is for Everyone

Nikki Sanchez is a Pipil/Maya and Irish/Scottish academic, Indigenous media maker and environmental educator. Nikki holds a master’s degree in Indigenous Governance and is presently completing a PhD with a research focus on emergent Indigenous media. She presented her first TEDx presentation, entitled “Decolonization is for Everyone” this year. Nikki was the acting David Suzuki Foundation “Queen of Green” from 2016-2018 where her work centered on digital media creation to provide sustainable solutions for a healthy planet, as well as content creation to bring more racial inclusivity into the environmental movement. Her most recent media project was the VICELAND series RISE which focused on global Indigenous resurgence. RISE debuted at Sundance in February 2017 and has received global critical acclaim, recently winning the Canadian Screen Guild Award for Best Documentary series. For the past decade, Nikki has also worked as an Indigenous environmental educator, curriculum developer, and media consultant. She started and runs Decolonize Together, an independent consulting company which specializes in decolonial and equity training for businesses and institutions. She is a keynote speaker with Keynote Canada and a contributor to TEDx, Looselips and ROAR Magazine.

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Colonialism — The Green Flame Podcast

Colonialism

This episode of The Green Flame focuses on colonization and has three interviews: the first with Anne Keala Kelly, a native Hawaiian organizer, journalist, and award-winning filmmaker; the second with Mari Boine, a world-reknowned Sami indigenous musician; and the third with a river.

We discuss colonization, history, tourism, the TMT telescope project on Mauna Kea, indigenous peoples of Europe, music, and how to connect with the land. Three of Mari Boine’s songs are used in this episode, with permission: Gula Gula, Goaskinvielija (Eagle Brother), and Vilges Suola.

Subscribe to The Green Flame Podcast

About The Green Flame

The Green Flame is a Deep Green Resistance podcast offering revolutionary analysis, skill sharing, and inspiration for the movement to save the planet by any means necessary. Our hosts are Max Wilbert and Jennifer Murnan.

Bios

Anne Keala Kelly is a journalist and filmmaker. Keala’s published articles and Op-Eds have appeared in the Honolulu Star-Advertiser, The Nation, Indian Country Today, Honolulu Weekly, Honolulu Civil Beat, Hana Hou! Magazine, Big Island Journal, and other publications. Her broadcast journalism  has aired on Free Speech Radio News, Independent Native News, Al Jazeera English, The Newshour with Jim Lehrer, Democracy Now!, The Environment Report, and more. She is a frequent guest commentator on First Voices Indigenous Radio, and has been interviewed on numerous nationally syndicated radio programs, from KPFK Los Angeles’ Rise-Up to Native America Calling in Anchorage to the Australia Broadcast Corporation’s Pacific Beat. Her reporting on Hawaiian poverty and homelessness garnered her Native American Journalism Awards. And her documentary, Noho Hewa: The Wrongful Occupation of Hawai’i, has received international film festival awards, and is widely taught in university courses focusing on Indigenous Peoples, colonization, Hawaiian sovereignty, and militarism. Keala is an outspoken Native advocate for Indigenous representation in media, and has been a guest speaker at universities in Hawai’i, the U.S., and Aotearoa-New Zealand. She has delivered conference keynotes and participated in conference and community panels and roundtables. She has an MFA in production from the UCLA School of Theater, Film, and Television. To learn more about her film, go to www.nohohewa.com.

Mari Boine: Imagine the ice and snow of the Arctic landscape, the bitter cold of the Northern wind, the hint of compelling blue under a crystallized lake. Close your eyes. Then listen. Really listen. You’ll feel a voice before you even hear it. It’s like none other. It’s a voice that brings the landscape alive with a mesmerizing purity; a voice that represents a thousand years of ancestral connection to an unyielding frozen space. This is Mari Boine. Musician. Songwriter. Singer. A genre-bending trailblazer with a taste for jazz, folk, rock, and world. An artist whose music is inspired by and infused with her Sámi roots. A woman who knows who she is, where she’s come from and what she stands for. A music icon who has inspired indigenous artists the world over.

The Unflattering Cultural Poaching Of “Moana”

The Unflattering Cultural Poaching Of “Moana”

     by Anne Keala Kelly

It’s a twofer.

With a Thanksgiving holiday release of “Moana,” Disney’s Polynesian cartoon extravaganza can simultaneously expand its lucrative enterprise of exploiting marginalized, indigenous peoples (Pocahontas, Lilo and Stitch, Frozen) while perpetuating American amnesia.

A note about Thanksgiving: Early feasts of giving thanks celebrated some notable atrocities committed against Native peoples, including the 1637 massacre of 700 Pequot Indians by white Christians and the 1676 butchering and beheading of Wampanoag Sachem Metacom, whose severed head was then displayed on a pike for 25 years at Plymouth. Ultimately it was President Abraham Lincoln who declared it a national holiday in 1863, less than a year after he ordered the hanging of 38 Dakota men, which remains the largest mass execution in U.S. history.

Given the pre-Halloween rollout of the Maui skin suit so that children would unwittingly promote “Moana” like human billboards, I doubt the choice of a release date was any less thought out. Some of the most experienced and powerful business minds in the world own and operate Disney — they’re not the type to leave a hundred-something million-dollar investment to chance.

Opening dates, promotion, and merchandising are carefully planned well in advance to achieve maximum financial gain. The skin suit and Thanksgiving release shouldn’t be thought of as unintended cultural faux pas — these were calculated risks. To give the benefit of the doubt to a $50-billion corporate predator waiting to vacuum up a few billion more off of our culture(s) is to agree with the offense.

Most indigenous peoples under U.S. control, certainly Hawaiians, have yet to carve out a meaningful space to represent ourselves, what we value and our reality in mass media and film largely because America’s master narrative relies on our subjugation. The truth of what matters to us undermines the colonizer’s imagineered innocence. The narrative of Hawai’i as “the Aloha State” is a perfect example — every non-Maoli living and vacationing here is able to do so because of the theft of our nationhood and the complete appropriation and subversion of our land and culture.

While there are certainly other oppressed groups, our oppressions aren’t any more equal than our successes. Hawaiian world—indigenous world is all buss up, and our narratives are convoluted. But the settler world isn’t, and neither is its story.

Our hopes, dreams and struggles are inconvenient to what Disney has chosen to produce about us. Worse yet, we’re expected to shut up and enjoy the ride everyone’s taking on our back. Yes, some of our own people, grateful for any acknowledgment, don’t recognize an insult or culture theft when they see it. Others will happily join in with the massive, commodifying monstrosity of “Moana” and buy Moana gear and computer games. (I heard that the Ala Moana Disney Store is already well-stocked.)

One Maori writer, who likes the Maui skin suit, said it’s like dressing up as Santa Claus. He’s not far off, seeing as how we’re the ones doing all the giving. He reminded me of something funny that Haunani-Kay Trask, one of our beloved sovereignty leaders, once said to me: “Yah, the haole, they stole everything we gave them.”

Being culturally poached and misrepresented isn’t flattering — it’s a threat. The historical fact is that colonization in the Pacific, and everywhere for that matter, has had catastrophic consequences for indigenous peoples in every conceivable way. And native collaboration, while highly problematic, doesn’t legitimize hijacking or pimping our knowledge, heritage and identity.

Having said that, not knowing who the members are of the Oceanic Story Trust, a group that was hand picked by Disney to shepherd the cultural content and merchandising, we can’t ask these Pacific Mouseketeers what the capital F they were thinking when they helped Disney strip mine our culture(s) for the sole purpose of making a profit.

Although bad publicity in the form of complaints that the skin suit is racist motivated Disney to take it off the shelf, they did it with a condescending, “We regret that the Maui costume has offended some,” version of an apology. I suppose that’s the best we can expect from an entity whose bottom line is protecting its investment.

But Hawaiians and other indigenous Pacific Islanders are the ones who need to think hard about what something of this magnitude will mean. Given that it’s shaping up to become this region’s cultural heist of the century (so far), we may want to try to make native sense of the intent and the processes at work here, especially us Hawaiians.

I say especially Hawaiians because so much is being done to us politically, materially, culturally and spiritually these past few years. From the mass desecration project of the Thirty Meter Telescope to the Obama administration’s determination to force feed us federal recognition against our will, ours is a never-ending struggle to simply survive in our homeland as who we are.

The cultural imperialism of Disney mirrors the military imperialism of the United States and the other industries it uses to erase our indigenous belonging: tourism and real estate. Disney’s Aulani Resort, and now its “Moana,” secures its place in the economically enforced ethnocide and culturcide that is steadily replacing us with settlers.

If the promotional trailer is anything like the film, Disney’s about to get even richer by exploiting and mocking us in deeply genealogical and spiritual ways—turning Tutu Pele into an ugly lava monster and Maui into a ridiculous, clowning sidekick. The noted psychiatrist, philosopher, revolutionary and writer Frantz Fanon was so on the mark when he said, “… Colonialism is not satisfied merely with holding a people in its grip and emptying the native’s brain of all form and content. By a kind of perverted logic, it turns to the past of the oppressed people, and distorts, disfigures and destroys it.”

Disney has reduced us and our world to a cartoon at a time when our political future is hanging in the balance, when Hawaiians absolutely need to be heard and taken seriously, not distracted by or silenced for entertainment. Disney is trying to do to our culture and identity what America is doing to our land and nationhood: we are being carved up, sold off, and drained of our mana.

Since the Maui skin suit debacle, Disney’s 21st century iteration of the white supremacist ideology that informed people like British Major General Horatio Gordon Robley, a proud collector of Maori heads, and that guy who tried to sell a Hawaiian kupuna skull on E-Bay, I’ve been thinking in metaphors. I’m looking at what’s happening right now, but looking, too, at the horizon, at what’s coming toward us, imagining what might follow, hoping that whatever it is, Hawaiians and all Pacific Islanders can face it together instead of letting it further divide us.

I have no doubt that Disney’s “Moana” will materially and psychologically aid and abet the colonial project of indigenous erasure and removal. It’s a cultural tsunami and it will impact the entire region. However, unlike natural disasters, this man-made disaster will play out over many months and years and will continue for as long as Disney can suck the marrow from our spiritual and cultural bones.

Anne Keala Kelly is the award winning filmmaker of “Noho Hewa: The Wrongful Occupation of Hawai‘i,” and a journalist whose work has appeared in The Nation and Indian Country Today, and on the Pacifica Network and Al Jazeera.

Protecting Mauna Kea: Pule Plus Action

Protecting Mauna Kea: Pule Plus Action

By Will Falk / Deep Green Resistance

I went up to Mauna Kea’s summit a few days ago to pule (to pray) with some of the protectors on a ridge inside the Thirty Meter Telescope’s (TMT) proposed construction site. When we reached the site, we were confronted by half a dozen large men in orange vests and hard hats brandishing cameras, audio recorders, and notebooks.

The boss told us we were trespassing on an active construction site and subject to arrest. I looked around and saw nothing but a handful of back-hoes, the open sky at 14,000 feet above sea level, and a sublime, obsidian-colored cinder field stretching to the clouds. Of course, as I’m writing this, construction on Mauna Kea has been suspended for more than two months.

Kaho’okahi Kanuha explained that we were simply here to say some prayers. The boss told us again we were subject to arrest, mumbled into a hand-held radio, signaled to his men, and began recording us with a camera. The six men took up positions surrounding us as we held hands and faced the sky with Kaho’okahi leading some chants. Some of the men folded large arms across their chests glaring at us, others recorded us on camera, and one circled us nervously. I’ve been in a few fist fights in my life – needless, pointless expressions of a toxic masculinity – and I felt like these men were revving themselves up for some sort of scrap.

It was impossible for me to pray like this. Kaho’okahi seemed completely unnerved and when I asked him about it, he said this happens every time he comes to pray. I remember my experiences in Mass when I was younger. I imagine a priest at the altar leading his parish in the prayers that, for Catholics, turn bread and wine into the body and blood of Christ – all while strong men in hard hats patrol the pews and record the liturgy.

This, of course, would never happen. So, I ask: When Kanaka Maoli pray on a mountain exceedingly more beautiful than any basilica or cathedral I’ve ever been in, why are they being harassed like this?

I spent the first six essays in this Protecting Mauna Kea series trying to answer this question. The answers I came up with are validated after spending the last two weeks up here. The TMT project is based on the dominant culture’s sense of entitlement, historical amnesia, and pornification of Hawaiian culture. What could resemble a porn shoot more closely than men with cameras intruding on and recording acts of intimacy?

I think I’ve demonstrated that the TMT project is enabled by a problematic worldview and should not be allowed to proceed. After Governor David Ige’s announcement last week that he would support and enforce the TMT’s construction, the Mauna Kea protectors want the world to know we never expected the State to help us. We must stop the TMT project and we must do it ourselves. The question becomes: “How do we do it?”

The occupation on Mauna Kea is an expression that the protection of Mauna Kea is the people’s responsibility. We cannot trust the government to stop the TMT. We cannot trust the police. We cannot trust the courts. We have to do it ourselves. In other words, nothing has changed since the occupation began over two months ago. In many ways, the occupation on Mauna Kea reflects all of our environmental and social justice movements around the world.

The truth is – on the whole – environmental and social justice movements around the world have been getting their asses kicked. If they weren’t, 200 species a day wouldn’t be going extinct around the world. If they weren’t, we wouldn’t be losing indigenous languages at a rate relatively faster than species. If they weren’t, 95% of North America’s old growth forests wouldn’t have been clear cut. If they weren’t, every mother around the world wouldn’t have dioxin – a known carcinogen – in her breast milk. And, why are they getting our asses kicked? One reason is we’ve trusted those in power to do the right thing for far too long. The good news is – while construction on the Mountain is suspended – we have the opportunity to avoid mistakes other movements have made.

**********************

A couple days ago in a freezing cold, clinging mist, the Mauna Kea protectors called a 5:30 AM meeting in the now-famous crosswalk on the Mauna Kea Access Road to talk strategy in light of Governor Ige’s recent announcement. Some protectors lamented the announcement and were understandably scared about what was coming next. Others maintained that the TMT project was illegal anyway, and the courts would never let it proceed. Still others cited Kingdom of Hawai’i precedents and referred to the recent war crime charges filed with the Canadian government, to assure us the TMT was dead in the water. Finally. the boldest proudly proclaimed – with a hint of the false bravado that often accompanies anxious realizations – construction equipment would have to roll over their dead bodies to get to the construction site.

I stood silently in the circle listening. I am not Hawaiian and have no place arguing with those whose land I presently occupy. My mind was filling with memories of my experiences as a public defender. I recalled the cop in Kenosha, WI where I worked who put a gun to the temple of young Michael Bell’s head and murdered him as his mother and sister watched on for the crime of possibly breaking his bail conditions. I recalled that the cop was promoted and still on the force in Kenosha.

My stomach began churning as I felt that old feeling of helplessness sitting in a wooden chair in a courtroom next to another client being sentenced to prison while there wasn’t a damn thing I could do about it. There was no brilliant legal argument I could make, no impassioned plea the judge would listen to. The judge had power and armed men at his command, and I did not. It was as simple as that.

My heart was tugged back to Turtle Island, the so-called North American continent where the arrival of Europeans has meant the total extermination of dozens of aboriginal peoples. I think of the Taino who were annihilated within a few decades after Columbus’ contact with them. I can almost hear Tecumseh’s voice calling out from now-dead villages in present-day Ohio and Indiana asking what happened to the Pequods, the Narragansetts, and the Pocanokets. These peoples were wiped out by European colonizers while most of Tecumseh’s people, the Shawnee, were removed at gunpoint from their homelands in the Ohio valley hundreds of miles away to Oklahoma.

Some of the protectors here tease me, calling me “America’s ambassador to Hawai’i.” Listening to some of the protectors insist that the courts, the police, and the government would never let the TMT project happen, I wanted to explain that I understand the dominant culture we’re fighting against. I wanted to say I benefit from this culture. I was raised within in. I’ve lived amongst the type of people who run those courts, sit in their government, and become the police. I know what they are capable of and that many of them are sociopaths with no regard for the well-being of those who oppose them.

I didn’t say this, though, because I knew these feelings brought me too close to acting like the White Savior come to save aboriginal peoples from their ignorance. The truth is Kanaka Maoli understand very well – much better than I – the genocidal tendencies of the dominant culture occupying their lands. They do not need my reminder. I write about this now, only to narrate my relief when Kaho’okahi said, “I understand everyone’s concerns, but the way we’re going to win this struggle is pule plus action.”

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Pule plus action. I agree with Kaho’okahi. Protecting Mauna Kea requires a strong spirituality, requires prayers, but it also means real, physical actions in the real, physical world. We need prayers, yes, just like we need those battling the TMT project in the courts, just like we need those signing petitions against the TMT project, just like we need those donating to the Mauna Kea protectors’ bail fund. But, at the end of the day, the surest way to stop the TMT project is to physically, actually stop the TMT project. This is what the encampment on Mauna Kea has always been about. The protectors are determined to place their bodies in between Mauna Kea’s summit and the construction equipment escorted by the police that will soon come to build the telescope.

I hope with all my heart that the courts will make the right decision and prohibit the TMT’s construction. I hope with all my heart that when the police receive their orders to pacify resistance on the Mountain that they will turn in their resignation papers. But, I’m not holding my breath. History has shown over and over again that the courts and the police will not help us.

Hope is not going to keep the destruction off Mauna Kea. It is much more likely that hope will bind us to ineffective strategies like trusting the government and hugging the police when they come to arrest us.

The Mauna Kea protectors insist on observing kapu aloha – a practice of love and respect – on the Mountain. I will not question this practice, but I will point out that our opponents do not observe kapu aloha. I fear that the more effective we become at stopping their project, the more violently they will respond.

I do not write this from a place of despair. I write this to give a clear-eyed vision of the effort it’s going to take. If we’re going to keep the TMT project from completion, we are going to have to do it ourselves. We’re going to have to show up in numbers large enough to overwhelm the police. We’re going to have to produce a mass of humanity thick enough to clog the Mauna Kea Access Road – and we may have to do it day in and day out for weeks. It will take a tremendous amount of bravery, shrewd strategic thinking, and a deep commitment from all of us. Or, in Kaho’okahi’s words, it’s going to take pule plus action. This is nothing new, though, and I believe we will win.