By Mankh / Musings from Between the Lines
Once upon a timeless . . . the non-human Light-Beings of the Sun cast their rays like life-giving nets upon the waters and the lands of the Earth . . . and all beings stirred awake to do the day’s work (and play) . . . until the nighttimeless when all beings rested and then the stars would guide their dreams . . .
(“Buddha Resisting The Demons Of Mara”)
In the actual living-experience, there is no “happily ever after” because there is constant work and maintenance to do. While work and maintenance can sometimes be enjoyable, they aren’t end-of-rainbow-pot-of-gold ideal. Yet many people cling to the idea of such gold, of ‘making it big.’ And many cling to infantile delusions of a constant comfort zone.
Zen saying: Before enlightenment: chop wood, carry water; after enlightenment: chop wood, carry water.
In general, i’ve noticed that many people have an aversion to talking about or dealing with extremely difficult situations of which for this essay i’ll call such extremities, The Monster. The difficulty is understandable because The Monster is unpleasant and pokes at one’s trauma buttons.
The Merchants of Veneer refers to those who go to extremes to cover-up The Monster. The Monster is genocide, ecocide, deliberately induced fear and terror, violence and greed, all of which i consider as horrid manifestations of what Steven Newcomb refers to as “the domination system,” and what many know of as colonialism, predatory capitalism, totalitarianism, fascism, ad nauseam.
MONSTER: from Latin monstrum — inauspicious portent or sign, abnormal shape, “a derivative of monere ‘to remind, bring to (one’s) recollection, tell (of); admonish, advise, warn, instruct, teach.’”
Teachers and elders “advise, warn, instruct” peers and younger generations with ways to avoid monsters; forewarned is forearmed, and weaponry is not a necessity.
Also, one can figure out stuff on one’s own because typically there are signs or warnings before The Monster does dastardly deeds. I think of those signs and warnings as a pattern of mercy built into the universe.
When not heeded, however, and instead allowed to run amok, monstrums (abnormal shapes and signs) can take on a form — anything from falling down and hurting one’s self, to an addiction, to a river-polluting corporation, a brainwashing media, a flagrantly offensive military force, so-called green/renewables saving the world, AI, genocide, ecocide, and more.
Many of the modern monsters appear as the proverbial wolf in sheep’s clothing. Whether a fancy-car-driving televangelist, a clown pedophile, or a corporation that holds charity events with one hand while destroying natural habitats and cultures with the other — the concept is the same.
Many signs in the world continue to go unheeded, and so: many monsters need to be dealt with.
The deeper root of “monster” is men- “to think, mind, spirit, memory, sage, seer,” indicating that, as mentioned above, one has the ability to ward off monsters, to think ahead, to care for the mind and spirit of all beings.
But our Mother Earth knows that The Monster is running amok and, as Leonard Cohen sang, “Everybody knows that the boat is leaking / Everybody knows that the captain lied… / And everybody knows that it’s now or never” . . . Yet the big question then is: Why do so many choose to ignore?
Enter the Merchants of Veneer and their willing and ignorant minions. Those Merchants are masters of the slick surface level, from the looks real faux wooden cabinet to the media spectacle previews condoning and cheering on the War on Iraq and the Global War Of Terror, while conversely, not tainting the shine by not showing the genocide in Gaza. The Merchants of Veneer shine the shit-show to delusory perfection, and so slickly that masses of people go along with the bumpy ride by ordering an environmentally friendly seat belt rather than finding ways of smoothing the rode.
The Merchants of Veneer are the Public Relations division for The Monster. The PR includes the corporate media, global banking systems, consumerism, enforced religions, revisionist history and cherry-picked educational systems, and governments in bed with corporations aka fascism.
When telling people some tidbit i know, some of the history of America and Turtle Island, i’ve often heard people say to the effect, ‘It’s terrible what was done to the Natives.’ Yes, but then when i add that it’s still going on and cite a specific issue, they may shake their head in disgust, but don’t seem to find it as terrible NOW. ‘Why?’ I’ve asked the air, ‘Why do they avoid and turn away?’
And the answer i get is the impetus for this essay . . . Not wanting to face The Monster, not wanting to make sacrifices with one’s comfort zone which is actually a comfort zone built on the discomforts of others, those who do the work and maintenance with no chance of a pot of gold rather lucky if they get a next meal.
“Every program of exploitation has an ideology bolted on to legitimate it to the world — but also to those benefitting: very few people want to look in the mirror and see a monster staring back.”
~ Matt Kennard, from his book The Racket: A Rogue Reporter Vs The American Empire.
Wake-up Call
The Buddha’s typical subtly serene smile is not one of “happily ever after. My interpretation from experience is that, in part, that serene smile has to do with maintaining one’s inner state of consciousness whether during good times or when facing The Monster.
Many years ago i had a transformative meditation experience, but the details escape me so i’ll attempt to convey the gist: One time meditating i began to see horrible, scary stuff, like scenes of a war. At first i thought: Is this my mind? What i have done? But then i realized i was simply supposed to watch, to witness, be brave enough to witness without flinching or running away, maintain my composure – subtly serene Buddha smile optional – and to allow space for whatever feelings that arose. This inner experience helped me learn to face The Monster, rather than turn a blind eye.
As the story of Siddhartha Gautama the Buddha tells:
Before becoming a Buddha, he saw Four Sights or Signs: aging, disease, death, and devotion to finding the cause of suffering, devotion to participating in the world rather than escaping from it.
And after he became enlightened he began to do the work of dealing with monstrums: “to remind, bring to (one’s) recollection, tell (of); admonish, advise, warn, instruct, teach” in an effort to help others to avoid or deal with The Monster.
(“his hands in the dharmachakra mudra gesture of teaching”)
As the story goes, before Siddhartha Gautama became the Buddha, the demon Mara tried to seduce him with beautiful women, then attacked him with monsters, then questioned the validity of his enlightenment.
“Then Siddhartha reached out his right hand to touch the earth, and the earth itself spoke: ‘I bear you witness!’ Mara disappeared. And as the morning star rose in the sky, Siddhartha Gautama realized enlightenment and became a Buddha.”
Each of us has the ability to touch Earth, not only with hands, but with the feet and heart and mind, and actions.
Each of us has the ability to be touched — how much better a mood i have when my day begins with seeing and hearing geese flying overhead.
Since the word “Buddha” means “awakened, to awaken to the natural law,” the Buddha-nature is not of any one individual rather a way of seeing, of being, of living in accord with Sun and Stars and all sentient beings here with Mother Earth. This Buddha-nature is beyond any box of religion and beyond any specific label of spirituality.
We as a species, as well as all species, are faced with a dual dilemma: stopping The Monster that is already in action, already running amok yet pretending with a slick veneer that everything is under control and things will get better soon. And warding off The Monster that is clamoring to get in on the destructive, sucking the life out of life action.
Instead of overreacting to The Monster and counteracting with violence, fear or greed, the experience of witnessing allows for the possibility of one’s inner nature and/or Earth guiding the next step.
Mankh (Walter E. Harris III) is a writer and small press publisher; he travels a holistic mystic Kaballah-rooted pathway staying in touch with Turtle Island. Mankh meditates, gardens, enjoys music and good humor.
Banner: Antique wooden Oni mask from Japan by Justin Ziadeh on Unsplash