Ecosophia by Peter Charles Downey – Film Review

By Elisabeth Robson

The film Ecosophia is a tour through many of the issues facing humanity: our addiction to growth, energy, and materials, and our devastating use of “surplus energy” to extract and consume—and thus destroy—the very system that sustains us. The narrative of the film is told through a series of short interviews, interspersed with reflections by the filmmaker, Peter Charles Downey.

Each interviewee brings a slightly different perspective on the predicament we are in: a completely unsustainable industrial civilization that is causing ongoing collapse of the living Earth; a global civilization that will soon collapse under its own weight.

The film begins by describing the fundamental problem: infinite growth on a finite planet. Tim Garrett describes what exponential growth means—the doubling over the next 30 years of the total energy and raw materials used by humanity in the past 10,000 years. Sid Smith explains that, no, renewables will not save us. Ian Lowe reminds us that we are right on track to match the predictions of the Limits To Growth—that is, collapse somewhere between 2030-2050 of civilization as we know it now. Climate change is highlighted but correctly understood and described as just one symptom of the overarching problem we’ve created for ourselves.

A little history: as soon as we learned how to store surplus, we were in trouble. This “storing of surplus” is often associated with the beginning of agriculture, but as John Gowdy describes, it actually happened before agriculture. Just one example: Pacific Northwest Native Americans learned how to smoke salmon and store it over the winter. This led to hierarchy and inequality, the inevitable outcomes of stored surplus, as the tribe who could best store salmon would gain priority over the best salmon runs, just like kings and emperors created hierarchy and inequality by storing surplus grain, thus creating slavery and the need for soldiers to protect the grain. The ability to store surplus is what allowed us to grow far beyond the carrying capacity of Earth to sustain us.

We are torn between Stone Age instincts and space age technology and we don’t know how to cope. As Bill Rees describes, we now have the capacity via fossil fuels and technology to grow exponentially, breaking the bounds of the constraints most species face—disease, resource shortages, etc.— which kept our population in control until about 10,000 years ago.

We learn about one third of the way into the film that Ecosophia means the passing on of knowledge over many generations about the specifics of place; of how to live well in a place, deeply understanding the climate, soil, and natural communities of that place. This localized knowledge is what allowed us to live sustainably on the land as a species for thousands of years before we went astray.

From here, the film moves from describing the problem into describing how we got here: a fundamental disconnection with ourselves, with the natural world, with that localized knowledge and respect for place. The interviews cover this disconnection well; Stuart Hill, a permaculturist, describes how our theistic religions come with spiritual beliefs that are limitless, but that nature has limits, and this spiritual disconnection from the reality of the natural world is a crisis for us as a species because we are utterly dependent on that natural world.

My favorite part of the film is perhaps the interview with Stephen Jenkinson, who is known for his work on Orphan Wisdom. “Exercising dominion is a surrogate for belonging,” he says, which is such a wonderfully concise and precise way to describe what we are doing to the Earth. We are orphans from the natural world, he says, not in the sense that our parents are dead, but rather that we cannot get to our parents (the natural world), and so, we don’t know how to belong. He says, “This is not a recipe for shame or class action guilt, despite the regime for social justice.” I strongly resonated with this, because of the extreme shame and guilt that are so pervasive in the critical social justice movement that is currently sweeping the Western world, and which seems so wrong-headed.

We orphans—and all of us who watch the film and read this review are orphans—will have to do the work to reconnect because we no longer inherit belonging through our ancestors, the ones who knew how to live well in a place. We are orphans because we can no longer access that generational knowledge in a modern culture that has all but destroyed it; we must do the work to recreate it ourselves. That is a multi-generational task. Are we up to it? As Stephen asks in the film, “How bad does it have to get before we question the utility of persisting?”

It’s clear in the film that the filmmaker recognizes the narcissism of focusing on self-improvement over taking responsibility for what we have done, what we are doing. Interviewee Alnoor Ladha describes this as “retreat consciousness.” He identifies that our loss of belonging makes us feel victimized, because we are “brought into a world that doesn’t belong to us” and our coping mechanism is to try to get as much as we can “on the sinking ship, to have a first-class cabin on the Titanic.”

Yet the message we are left with at the end of the film is profoundly disempowering. The last interviewee, John Seed, who is in the deep ecology movement, concludes that if we—humanity—are destroying the Earth, then we are the Earth destroying herself, because there is no separation between us and the Earth.

On the one hand, yes, that is true. We humans are nature. And on the other hand, to describe the cruelty and psychopathy of what humans are doing to the Earth as “the Earth destroying herself” is to utterly misunderstand the Earth and at once assign too much, and too little agency to the natural world.

The film has laid out the problem of the physical and spiritual crises we face, encouraged us to do the first steps—the work on ourselves to understand the problem and cultivate the desire to do something about it, and to relearn and recreate the wisdom for how to live well in a place—and then completely diffuses any energy and passion this might have inspired in the viewer by giving us an out.

At the very end of the film, the filmmaker moves into full-on human supremacy mode, saying that we humans are perhaps “special” and “unique,” because we haven’t found evidence of “any other intelligent life-form in the universe.” He says that what makes us special is that we evolved a passion to learn about ourselves, and that if we are indeed unique in the universe, that we might want to “keep this going.”

What’s shocking about this conclusion—that we are unique and rare and special, that we are the only “intelligent life-form in the universe”—is that it is so obviously untrue. Throughout the film, I enjoyed the many wonderful clips of animals and natural communities. Why is the filmmaker not able to see that this is the intelligence he thinks is missing out there in the Universe? It’s right here with us.

The Earth may indeed be unique in all of the universe in her capacity to support life, but we humans are not alone: we are surrounded by intelligence and love in the ecosystems and many species with whom we share this amazing planet. To listen to all of these interviews, to be able to appreciate the many life-forms on Earth, and yet conclude that humanity’s utter destruction of what might be the only planet capable of sustaining life in the entire universe is “the Earth destroying herself” and that this is part of nature is disappointing, to say the least.

In conclusion, I recommend the film, but caution viewers: there is another, better ending to envision. Yes, we must understand the problem. Yes, we must do the work on ourselves. Yes, we must listen to people who still understand ecosophia: that living well in a place with humility and respect for the natural world is the only way for us to live sustainably on the Earth.

And then we can take action. We can fight back against the forces that push us further into disconnection from reality each and every day. This is what the Earth herself wants us to do, if we’d only listen. Fight back!

Thank you to Peter Charles Downey for access to the preview of the film Ecosophia.

Photo by Ray Hennessy on Unsplash