Editor’s Note: Since the 2009 climate conference in Copenhagen, states and corporations alike have relied on the assumption that energy companies can be persuaded to rethink their business and initiate a transition process towards “renewable” energy and engagement in the “green” economy. That reliance has only increased since the climate talks in Paris in 2015.
Carbon trading and REDD+ are only some examples. In this scheme, every country gets a quota of carbon emissions. Heavily industrialized countries, instead of trying to meet the quota, can pay to exceed the quota. This fund is then used to reimburse less industrialized countries who emit less carbon than their quota.
In other words, they get paid to not deforest. While it may seem like a win-win situation, it is difficult to justify how this scheme actually helps reduce carbon emissions. This article from 15th September 2023 highlights some of the problems with the carbon credit system.
“Biodiversity, the climate, and Indigenous people or local communities are losing out on what should have been a system to drive meaningful financial flows to the forest conservation projects that so desperately need it,” said one expert.
Echoing previous warnings from climate advocates and studies, an environmental watchdog on Friday released research from experts at the University of California which shows that trying to offset fossil fuel emissions with popular forest carbon credit projects “is a pipe dream.”
As the new Berkeley Carbon Trading Project assessment—funded by Carbon Market Watch (CMW)—explains, “The voluntary carbon market generates credits, each nominally equivalent to one metric ton of carbon dioxide reduced or removed from the atmosphere, from a wide range of projects around the globe.”
Carbon credits don’t stop deforestation
Critics have long argued that carbon credit schemes are “false solutions” that harm poor communities where such projects are based and enable companies worldwide to greenwash their polluting activity rather than implementing reforms or investing in action to actually combat deforestation and the climate emergency.
“Reducing Emissions from Deforestation and Forest Degradation (REDD+) is the project type that has the most credits on the voluntary carbon market—about a quarter of all credits to date,” the assessment details. “These projects pay governments, organizations, communities, and individuals in forest landscapes (primarily tropical ones in the Global South) for activities that preserve forests and avoid forest-related greenhouse gas (GHG) emissions.”
Over the past two decades, more than $3 billion has been poured into REDD+ and nearly half a billion carbon credits have been awarded, yet “deforestation is still continuing at an alarming rate,” the report notes. Berkeley researchers’ analysis of four methodologies that have generated almost all REDD+ credits—under Verra, the largest voluntary carbon market registry—revealed that estimated GHG emissions reductions were dramatically exaggerated.
“We found significant over-crediting from all of the factors we reviewed, the core causes of which are a combination of incentives and uncertainty,” said Barbara Haya, who led the research. “Everyone involved in the voluntary carbon market, from the buyers and sellers of credits, to the registries who write the rules and the auditors who enforce them, all benefit from more credits.”
“Large uncertainty in climate benefit calculations creates many opportunities for market participants to choose assumptions that inflate credits issued,” Haya added. “Drawing on all evidence, we conclude that REDD+ is ill-suited for carbon offsetting.”
As a CMW briefing published with the assessment summarizes:
Project baselines are significantly overestimated, the research found, leading to the creation of carbon credits that represent imaginary emission reductions.
Similarly, leakage is systematically underestimated by projects, which make use of flexibilities provided to them by the methodologies to downplay the risk of deforestation moving to areas outside of their project.
The creation of low-quality carbon credits is further fueled by exaggerated estimates of the quantity of carbon stored within the trees that are protected by projects.
The risk that the trees protected by REDD+ projects will die in the future is also drastically underestimated by projects, which again use methodological flexibility to misrepresent the real deforestation threat that forests will face in the future.
Finally, the safeguards implemented by Verra are weak, do not protect communities from harm, and are not properly upheld by the validation and verification bodies.
Business over conservation projects
Verra released a lengthy response to the new assessment, which welcomed “the insight of the broader scientific and environmental community into our work on nature-based solutions,” but also said that “it is important to note that the vast majority of findings and recommendations from this research align with extensive and systematic work to update the Verified Carbon Standard (VCS) Program that Verra has carried out over the last two years.”
Inigo Wyburd, a CMW policy expert on global carbon markets, said that “we welcome Verra’s willingness to engage with our research and hope that it will take on board our findings and implement all of our recommendations.”
“Businesses are offsetting their emissions on the cheap by buying low-quality carbon credits connected to forest protection projects in the Global South,” the expert added. “When only 1 in every 13 carbon credits represents a real emissions reduction, their action is lost in the forest.”
Meanwhile, as Gilles Dufrasne, CMW’s policy lead on global carbon markets, highlighted, “biodiversity, the climate, and Indigenous people or local communities are losing out on what should have been a system to drive meaningful financial flows to the forest conservation projects that so desperately need it.”
“Offsetting should be axed,” he argued. “It cannot work in its current form, and carbon markets must evolve into something different. The focus should be on getting money to the right place, rather than getting as many credits as possible.”
This is absolutely STAGGERING.
The #UAE is reportedly set to buy 10 PERCENT of #Liberia in a bid to offset its carbon emissions
The territory, which includes already protected land, holds no guarantee it will actually offset any emissions at all #COP28https://t.co/qfaY1OYq7r
— Patrick Galey is on @patrickgaley.bsky.social (@patrickgaley) September 15, 2023
As Patrick Galey, senior fossil fuels investigator at Global Witness, pointed out on social media Friday, the new research was released as the African nation Liberia is preparing to sign an offsetting agreement conceding 10% of its territory to Blue Carbon, a private company in the United Arab Emirates led by a member of an Emirati royal family.
Middle East Eyereported late that month that the deal for “control of one of the most densely forested territories” on the continent “would violate a number of Liberian laws, including the 2019 land rights law.” Additionally, as CMW policy expert Jonathan Crook told the outlet, “there’s no clarity as to what will be done to calculate what emission reductions have taken place.”
IndoMet in the Heart of Borneo, CC BY 2.0 via Wikimedia Commons
DGR conducted its annual fundraiser on Ecology of Spirit. If you have missed it, you can view it here. You can also visit our auction for paintings, books, brownies and conversations. The auction will remain open till October 31.
Editor’s Note: The following is an excerpt from Wild Yoga by Rebecca Wildbear. It pushes us to connect with the land. The Earth is suffering due to us. The excerpt encourages us to feel her suffering, which is intricately connected to our suffering. Finally, it inspires us to make amends by showing up, by our actions in defense of her.
Nature is an unrelenting symphony. Everywhere there is life, there is song. Flowers bloom. Mountains stand. The moon glows. The planet is always singing. Each note is a unique contribution that tends to the well-being of the whole. Humans are meant to live in sync. For decades, I have asked trees and birds, ocean and sky, canyons and creeks to help me be as authentic and soulful as they are. The world needs the bitter and resonant cry of every creature, even humans, attuning with the song of the world.
We can connect to our bodies, hearts, and souls and bring our presence to the unfolding moment. And remember how to play in the improvisational spontaneity of the universe. Lying under an oak, I am mesmerized by the long, wavy branches that stretch parallel a few feet above the ground. The shape of the oak’s branches reminds me of a song. Music is a human instinct found everywhere. It is a social glue that brings people together and creatively expresses what can’t be put into words. What if we could engage with each other and the world the way jazz musicians make music?
Playing our notes is not only a sound we make with our voices or instruments. It is our soul taking form through the shapes we make with our lives when we embody the truth of our nature, live our purpose, and offer ourselves in relational flow with other humans and the Earth. Those who live their souls are playing their notes, being their melody.
The Earth needs us to become who we are. Perhaps she longs for humans to honor and contribute to her magnificence. Our souls can only be lived in union, playing our notes while attuning to the symphony that connects us to ourselves, others, the land, and those who came before and will go after.
The symphony of the Earth is life-giving. But how can we harmonize with our dominant culture rapidly removing so many wild voices from the orchestra? Some birds — like the once abundant regent honeyeater — are forgetting their song. With hardly any adult birds left, young birds cannot find other honey-eaters to teach them. As we witness species dying and the murder of eco-systems, what difference can our notes make amid this dissonant nightmare?
I have rarely asked mind-altering plant medicines for help. This is because I have already received so much guidance from nature and my dreams. But in my late thirties, I was wrestling with the horrors of ecological devastation and wanted more help. So I asked ayahuasca, an Amazonian brew made from the stalks of the Banisteriopsis caapi vine and leaves of the Psychotria viridis shrub, and I participated in six ceremonies with a curandera who sang sacred prayer songs while playing her guitar. The first two rituals steeped me in the love of my tree mythos. The third forced me to wrestle with the horrors of the world.
After drinking the tea from these plants, the intensity hit me in the belly. I felt panic like I was about to disappear and would no longer feel my arms and legs; I feared I would eventually lose my mind. Trying to remain in my body, I stomped my feet and hit my hands against each other. Everyone else must be fine, I thought, blaming myself for feeling crazy. I went outside and wrapped my body around a juniper. One of the helpers came out.
“Are you okay?” she asked.
“I’m having a hard time,” I admitted.
“Surrender,” she said. “It’s our egos that are the problem.”
I went back inside, lay on the ground, and let myself disintegrate. It was peaceful, like going to sleep. But when I got up, waves of horror consumed me. I felt like I was drowning in raw sewage with no way out. After one wave passed, I thought it was over, but there were more. They seemed endless. Some waves were a sludge of overwhelming emotions — confusion, dread, disappointment, devastation. I looked around the room. Everyone was suffering. I realized, This is not a trip; it is life, the state of the world. We are suffering. The Earth is suffering.
The music had stopped. Some people were throwing up. An older man with white hair and blue jeans got up. He held a couple of large hawk feathers and gently waved them over a bowl of water in the center of the room.
“Water,” he said softly, “we’re so sorry.” Gently, he walked around the bowl, humbly speaking to the water. “It’s our fault you suffer. We are suffering with you. Thank you for all you give, for nourishing everything. We don’t deserve your help, but please help us.”
Earlier, I had seen the white-haired man chain-smoking and had judged him. I had not realized that he was so eloquent, more than I could be. I felt ashamed I had not seen his wisdom. He moved around the circle and prayed over each of us, one by one.
The waves of horror were hard to tolerate. My chest was tight. I could barely breathe. My lungs worked hard to expand as I fought for air. I had the visceral sense that this was what forests, oceans, and mountains experience all the time. The impact the Earth feels from our dominant culture. It was not a thought but an overwhelming, full-bodied experience.
“Offer something,” the ayahuasca seemed to say.
“I have nothing valuable to give,” I said.
“All the world is suffering, and you’re just going to sit here!” She seemed incredulous.
“I don’t sing well,” I said.
“You could pray … or something.”
“I can’t come up with anything.”
“You’re a guide,” she pointed out.
“The suffering is too intense,” I responded.
“The world needs you to show up,” she reminded me.
I realized that sometimes I get consumed by suffering and discount what I might have to give. She was imploring me to show up and be available to the song that wanted to come through me. Everyone is suffering, she was showing me, and the symphony is dissonant. Yet the Earth suffers and gives. We can too. It is not a matter of healing first, then acting. It is a matter of connecting with yourself and the Earth and singing.
No one knows what will happen next. Injustice and genocide have been going on for a long while. Land and people have been exploited and destroyed for thousands of years. We need to be with the horror and the beauty. Psychic numbing removes us from the symphony. Compassion means “to suffer with.” Feeling pain may be a sign we are present with what is happening and aware of our connection to it.
Nature and our souls can give us visions so we can face the challenges of our times and engage. I guide others in their deep imagination to see back in time and remember. To return to places on the land where they have a deep connection. To listen to what the land needs. To call forth an image of the myth they were born to live. To move and dance the mysteries of what they came to embody in the world.
Horror is part of the symphony. The world needs our ensouled presence. Listen. Feel. Be present. Offer your note. Our engagement is our love.
Wild Yoga Practices for Playing Your Part in the Symphony
Attune to the world and explore ways to play your part. Trusting what you have to offer or hearing those around you may take time.
Listen to the songs of ancient cultures or your ancestors. What do they evoke in your heart, body, and imagination? Journal about or move to embody what you discover.
Wander in the wilderness. Listen to the sounds you hear from trees, water, wind, insects, and birds and the sounds you experience visually and through your other senses. Notice what or who allures you. Engage by offering sounds or movement in response.
Go out on the land and play. Offer your melody. If you don’t know what that is, explore different sounds or movements. Perhaps create a song for the land and sing it aloud. Notice where you feel drawn to offer your song. Listen for anything you hear back.
Track your dreams. Do any of them carry the theme of ancestral music, playing your note, or hearing the world’s symphony? Speak one of your dreams aloud in nature, using the present tense, and then enact it. Play your part by embodying what the dream asks.
Go to a wild place and witness how the land plays. Notice how each being engages with all the others in an improvisational movement. Try joining in. Let go of expectations and see what co-arises mutually.
Do you feel conflicted about playing your note in a broken world? Or about how to harmonize with the natural world when our dominant culture is killing the other voices? Wander on the land and share your questions and feelings. Ask for help.
# # #
Rebecca Wildbear is the author of Wild Yoga: A Practice of Initiation, Veneration & Advocacy for the Earth. She is also the creator of a yoga practice called Wild Yoga, which empowers individuals to tune in to the mysteries that live within the earth community, dreams, and their own wild nature so they may live a life of creative service. She has been leading Wild Yoga programs since 2007 and also guides other nature and soul programs through Animas Valley Institute. Visit her online at http://www.rebeccawildbear.com.
Species extinction. Plastic pollution. Global warming. Catastrophic floods. Raging fires. The failure of coral reefs. Whales dying en masse. Forever chemicals contaminating mothers’ breast milk. Where is our spirit?
Our planet is in crisis. And while the wealthy and governments pour trillions into technological so-called “solutions,” things are spiraling out of control.
What if solving the ecological crisis depended on falling in love with the natural world, and acting to defend those we love?
What if a biocentric worldview — one which places the natural world at the center of our morality — could help us access the courage needed to stop the destruction?
On October 21st, join us for special 3-hour live streaming event on Facebook or Givebutter:
Ecology of Spirit: Biocentrism, Animism, and the Environmental Crisis — “the spirituality of the front lines.”
This live event will explore the connectedness of all life and focus on organized resistance to the destruction of the planet.
It starts at 1pm Pacific Time / 20:00 UTC, and features selectedspeakers including:
Tiokasin Ghosthorse
Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 27 years in New York City and Seattle/Olympia, Washington.
In 2016, he received a nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019).
He was also awarded New York City’s Peacemaker of the Year in 2013. Tiokasin is a “perfectly flawed human being.”
Suprabha Seshan
Suprabha is a conservationistand environmental educator committed to the rewilding of habitat and human beings. She lives and works at the Gurukula Botanical Sanctuary (GBS) in the Western Ghat Mountains in India, which she often describes as a refugee center for hundreds of species of plants which are rescued from threatened places, and for the wildlife who they support.
Learning from nature to protect nature better is the work of GBS, through its integrated conservation practices in land, species and community-based ecological nurturance. On behalf of the GBS team, Suprabha received the prestigious Whitely Award for Nature in 2006.
Derrick Jensen
Derrick Jensen is a leading voice of cultural dissent. A longtime activist living in Northern California, he has been described as an “ecophilosopher in the anarcho-primitivist tradition.”
He explores the nature of injustice, how civilizations devastate the natural world, and how human beings retreat into denial at the destruction of the planet. His work examines the central question, “If the destruction of the natural world isn’t making us happy, then why are we doing it?”
Keala Kelly
Keala Kelly is a filmmaker and journalist living on Hawai’i Island. Her works depict the critical links between cultural, Film, and spiritual survival in the movement for Hawaiian self-determination and Indigenous peoples’ struggles for territorial and environmental survival.
She is an outspoken advocate for Indigenous self-representation in mass media. Keala is a Ted Scripps Environmental Journalism Fellow and has an MFA from UCLA’s School of Theater, Film and Television.
Lierre Keith
Lierre Keith is an American writer, radical feminist, food activist, and environmentalist. She began her public involvement in the feminist movement as the founding editor of Vanessa and Iris: A Journal for Young Feminists (1983–85).
During this same period, she also volunteered with a group called Women Against Violence Against Women in Cambridge, where she participated in educational events and protest campaigns.
In 1984 she was a founding member of Minor Disturbance, a protest group against militarism from a feminist perspective. In 1986 she was a founding member of Feminists Against Pornography in Northampton, Massachusetts. She is a founding editor of Rain and Thunder, a radical feminist journal in Northampton.
Sakej Ward
Sakej (James Ward) belongs to the wolf clan. He is Mi’kmaw (Mi’kmaq Nation) from the community of Esgenoopetitj (Burnt Church First Nation, New Brunswick). He is the father of nine children, four grandchildren and a caregiver for one. He resides in Shxw’owhamel First Nation with his wife Melody Andrews and their children.
Sakej has a long history of advocating and protecting First Nations inherent responsibilities and freedoms, having spent the last 21 years fighting the government and industry. This deep desire to bring justice to all Indigenous people has given Sakej experience in international relations where he spoke on behalf of the Mi’kmaq Nation at the United Nations Working Group for Indigenous Populations (WGIP).
For his efforts in protecting Indigenous people, freedoms and territory he has received the National Aboriginal Achievement Award.
Will Falk
Will Falk is a writer, lawyer, poet and environmental activist. The natural world speaks and Will’s work is how he listens. He believes the ongoing destruction of the natural world is the most pressing issue confronting us today. For Will, writing is a tool to be used in resistance.
Will graduated from the University of Wisconsin-Madison Law School and practiced as a public defender in Kenosha, WI. He left the public defender office to pursue frontline environmental activism.
So far, activism has taken him to the Unist’ot’en Camp – an indigenous cultural center and pipeline blockade on unceded Wet’suwet’en territory in so-called British Columbia, Canada, to a construction blockade on Mauna Kea in Hawai’i, to endangered pinyon-juniper forests in the Great Basin, and to Thacker Pass in northern Nevada where Will is trying to stop an open pit lithium mine from destroying a beautiful mountain pass.
Rebecca Wildbear
Rebecca Wildbear is a river and soul guide who helps people tune in to the mysteries that live within the Earth community, dreams, and their own wild Nature, so they may live a life of creative service. She has been a guide with Animas Valley Institute.
A long-time yoga teacher (since 2003) and a former faculty member at Nosara Yoga Institute (2008-2017), Rebecca created Wild Yoga™ — a practice of worship, veneration, and advocacy for Earth — while teaching yoga in a variety of wild places, including the tide pools of Costa Rica, the mountains and rivers of Colorado, and the ancient red rock canyons of Utah.
Max Wilbert
Max Wilbert is a third-generation organizer who grew up in Seattle’s post-WTO anti-globalization and undoing racism movement. He has been an organizer for more than 15 years. Max is a longtime member of Deep Green Resistance and serves on the board of a small, grassroots non-profit. He holds a Bachelor’s Degree in Environmental Communication and Advocacy from Huxley College.
His first book, a collection of pro-feminist and environmental essays written over a six-year period, was released in 2018. He is co-author of the forthcoming book “Bright Green Lies,” which looks at the problems with mainstream so-called “solutions” to the climate crisis.
Alan Clements
Alan Clements was one of the first Westerners to ordain as a Buddhist monk in Myanmar (formerly Burma). In 1984, forced by the dictator Ne Win to leave the country, Clements returned to the West and lectured on ‘The Wisdom of Mindfulness.’
In 1988, Alan integrated into his Buddhist training an awareness that included universal human rights, social injustice, environmental sanity, political activism, the study of propaganda and mind control in both democratic and totalitarian societies, and the preciousness of everyday freedom.
In the jungles of Burma, in 1990, he was one of the first eye-witnesses to document the mass murder and oppression of ethnic minorities by Burma’s military dictatorship, which resulted in his first book, ‘Burma: The Next Killing Fields?’ In 1995 a French publisher asked Alan to attempt re-entering Burma with the purpose of meeting Aung San Suu Kyi, the leader of her country’s pro-democracy movement and 1991 recipient of the Nobel Peace Prize.
The transcripts of their five months of conversations were smuggled out of the country and became the book ‘The Voice of Hope’.
Other special guests will attend the session as well. There will be opportunities to ask questions and participate in dialogue.
The mainstream environmental movement is mostly funded by foundations which don’t support revolutionary change. Radical organizations like Deep Green Resistance rely on individual donors to support our activism around the world, which is why “Ecology of Spirit” is also a fundraiser.
We’re outnumbered and we need your help.
There is a path out of the this crisis, and DGR is one of the organizations leading the way. But we can’t do it without you. We’re raising funds to support global community organizing, fund mutual aid and direct action campaigns, and sustain our core outreach and organizational work.
Whether or not you are in a financial position to donate, we hope you will join us on October 21st for this opportunity to connect with kindred spirit offering light in dark times!–
Editor’s Note: This is a press release regarding the wildlife photographer of the year selected by Natural History Museum, London. Nature photography, in the correct context, can be an efficient tool for conservation efforts. It not only helps to know about any given piece of land, but also is a powerful tool to raise mass awareness regarding conservation and endangered species. In a world where most humans live their lives, to a large extent, disconnected from the natural world, nature photography can help remind people of the natural world and to inspire a sense of respect for her.
French underwater photographer and marine biologist Laurent Ballesta was awarded for Wildlife Photographer of the Year 2023 for ‘The golden horseshoe’, an otherworldly image of a tri-spine horseshoe crab accompanied by a trio of golden trevallies.
The tri-spine horseshoe crab has survived for more than 100 million years but now faces habitat destruction and overfishing for food and for its blue blood, used in the development of vaccines. But, in the protected waters of Pangatalan Island in the Philippines, there is hope for its survival.
Chair of the jury and editor, Kathy Moran says, ‘To see a horseshoe crab so vibrantly alive in its natural habitat, in such a hauntingly beautiful way, was astonishing. We are looking at an ancient species, highly endangered, and also critical to human health. This photo is luminescent.’
Laurent is only the second photographer in the competition’s fifty-nine-year history to be awarded the Grand Title award twice. He was first awarded Wildlife Photographer of the Year in 2021 for his intriguing image of camouflage groupers exiting a milky cloud of eggs and sperm in Fakarava, French Polynesia.
Young Wildlife Photographer of the Year 2023
Seventeen-year-old Carmel Bechler from Israel was awarded Young Wildlife Photographer of the Year 2023 for his ‘Owls’ road house’, a dynamic frame of barn owls in an abandoned roadside building. Using the family car as hide, Carmel made the most of natural light and long exposure times to capture the light trails of passing traffic.
Carmel was just 11 years old when he began wildlife photography, and this is his first award in the annual competition. ‘I hope to share with my photography that the beauty of the natural world is all around us, even in places where we least expect it to be, we just need to open our eyes and our minds,’ says Carmel.
‘This photograph has so many layers in terms of content and composition. It simultaneously screams “habitat destruction” and “adaptation”, begging the question: If wildlife can adapt to our environment, why can’t we respect theirs?,’ says Kathy Moran.
Catalyst for change
The two Grand Title winners were selected from 19 astounding category winners that showcase the rich diversity of life on Earth. In an intensive process, each entry was judged anonymously by an international panel of experts on its originality, narrative, technical excellence, and ethical practice.
Dr Doug Gurr, Director of the Natural History Museum comments, ‘Whilst inspiring absolute awe and wonder, this year’s winning images present compelling evidence of our impact on nature – both positive and negative. Global promises must shift to action to turn the tide on nature’s decline.’
The newly redesigned exhibition also features videos showing the impact wildlife photography can have, and insights from jury members, photographers and Museum scientists to invite visitors to advocate for the natural world. The journey continues online with planet-positive actions audiences can take. The exhibition will tour across the UK and internationally to venues in Australia, Belgium, Canada, Denmark, France, Germany, New Zealand, Singapore, and more.
Exhibition at Natural History Museum, London
Opens Friday 13 October 2023 and closes Sunday 30 June 2024.
The exhibition is open Monday – Sunday, 10.00-17.50 (last admission at 16.30), and weekends sell out quickly.
Adult tickets from £17.50*, concession tickets £14.00*, and child £10.50*.
Off-peak Ault tickets from £15.00, off-peak concession ticket £12.00, and off-peak child ticket £9.00 (*Prices excluding optional Gift Aid donation to the Museum.)
Get behind the lens of some of the world’s best wildlife photographers with a new Wildlife Photographer of the Year exhibition tour: www.nhm.ac.uk/events/wildlife-photographer-of-the-year-tour
Sixtieth Wildlife Photographer of the Year competition
Opens for entries on Monday 16 October 2023.
Closing for entries at 11.30am GMT on Thursday 7 December 2023.
Entrants to the adult competition may enter up to 25 images for a £30 fee, which increases to £35 in the final week of the entry period from 11.30am GMT 30 November to 11.30am GMT 7 December 2023.
An entry fee waiver has been introduced for photographers entering the adult competition who live in Africa, Southeast Asia and Central and South America.
Entrants aged 17 and under may enter up to 10 images for free.
Editor’s Note: The impact of climate change has begun to impact the financial market. Insurance companies aim to make profit on risk coverage. However, if the risk for any sector runs too high, they tend not to invest in that. Nuclear reactors are a common example. Private insurance companies do not insure nuclear reactors as the associated risks are too high. With the rapidly increasing climate change, however, insurance in even the housing market has become too costly. The article describes this phenomenon.
From California to Florida, homeowners have been facing a new climate reality: Insurance companies don’t want to cover their properties. According to a report released today, the problem will only get worse.
The nonprofit climate research firm First Street Foundation found that, while about 6.8 million properties nationwide already rely on expensive public insurance programs, that’s only a fraction of 39 million across the country that face similar conditions.
“There’s this climate insurance bubble out there,” said Jeremy Porter, the head of climate implications at First Street and a contributor to the report. “And you can quantify it.”
Each state regulates its insurance market, and some limit how much companies can raise rates in a given year. In California, for example, anything more than a 7 percent hike requires a public hearing. According to First Street, such policies have meant premiums don’t always accurately reflect risk, especially as climate change exacerbates natural disasters.
This has led companies such as Allstate, State Farm, Nationwide, and others to pull out of areas with a high threat of wildfire, floods, and storms. In the Southern California city of San Bernardino, for example, non-renewals jumped 774 percent between 2015 and 2021. When that happens, homeowners often must enroll in a government-run insurance-of-last-resort program where premiums can cost thousands of dollars more per year.
“The report shows that actuarially sound pricing is going to make it unaffordable to live in certain places as climate impacts emerge,” said David Russell, a professor of insurance and finance at California State University Northridge. He did not contribute to the report. “It’s startling and it’s very well documented.”
Russell says that what’s most likely to shock people is the economic toll on affected properties. When insurance costs soar, First Street shows, it severely undermines home values — and in some cases erodes them entirely.
The report found that insurance for the average California home could nearly quadruple if future risk is factored in, with those extra costs causing a roughly 39 percent drop in value. The situation is even worse in Florida and Louisiana, where flood insurance in Plaquemines Parish near New Orleans could go from $824 annually to $11,296 and a property could effectively become worthless.
“There’s no education to the public of what’s going on and where the risk is,” said Porter, explaining that most insurance models are proprietary. Even the Federal Emergency Management Agency doesn’t make its flood insurance pricing available to the public — homeowners must go through insurance brokers for a quote.
First Street is posting its report online, and it also runs riskfactor.com, where anyone can type in an address and receive user-friendly risk information for any property in the U.S. One metric the site provides is annualized damage for flood and wind risk. Porter said that if that number is higher than a homeowner’s current premiums, then a climate risk of some kind probably hasn’t yet been priced into the coverage.
“This would indicate that at some point this risk will get priced into their insurance costs,” he said, “and their cost of home ownership would increase along with that.”
Wildfires are the fastest growing natural disaster risk, First Street reported. Over the next 30 years, it estimates the number of acres burned will balloon from about 4 million acres per year to 9 million, and the number of structures destroyed is on track to double to 34,000 annually. Wildfires are also the predominant threat for 4.4 million of the 39 million properties that First Street identified as at risk of insurance upheaval.
“You don’t want someone to live in a place that always burns. They don’t belong there,” he said. “We’re subsidizing people to live in harm’s way.”
First Street hopes that highlighting the climate insurance bubble allows people to make better informed decisions. For homeowners, that may mean taking precautions against, say, wildfires, by replacing their roof or clearing flammable material from around their house. Policymakers, he said, could use the information to help at-risk communities adapt to or mitigate their risk. In either case, Porter said, reducing threats could help keep insurance rates from spiking.
Ultimately, though, Russell says moving people out of disaster-prone areas will likely be necessary.
“Large numbers of people will need to be relocated away from areas that will be uninsurable.” he said. “There is a reckoning on the horizon and it’s not pretty.”
Photo: Wildfire in Santa Clarita, California in October 2007. Photo by Jeff Turner via Wikimedia Commons
Ecology of Spirit
Species extinction. Chemical pollution. Global warming. The death of the oceans.
Our planet is in crisis. And while the wealthy and governments pour trillions into technological so-called “solutions,” things are spiraling out of control.
What if solving the ecological crisis depended on decolonizing our minds and altering our very cosmology?
What if a biocentric worldview — one which places the natural forces shaping our world at the center of our morality — could help us access the courage we’ll need to stop the destruction?
On October 21st, join us for special 3-hour live streaming event: Ecology of Spirit: Biocentrism, Animism, and the Environmental Crisis. Access the event on https://www.facebook.com/events/
This event will explore issues of biocentrism with a focus on direct relationship to the spirit world and on organized political resistance to the destruction of the planet. There will be opportunities to ask questions and participate in dialogue.
The mainstream environmental movement is funded mainly by foundations which often do not support foundational or revolutionary change. Radical organizations like Deep Green Resistance therefore rely on individual donors to support our activism around the world, which is why “Ecology of Spirit” is also a fundraiser.
We’re raising funds to support global community organizing, fund mutual aid and direct action campaigns, and sustain our core outreach and organizational work.
