This article was produced by Local Peace Economy, a project of the Independent Media Institute.
By Koohan Paik-Mander
The U.S. military is famous for being the single largest consumer of petroleum products in the world and the largest emitter of greenhouse gases. Its carbon emissions exceed those released by “more than 100 countries combined.”
Now, with the Biden administration’s mandate to slash carbon emissions “at least in half by the end of the decade,” the Pentagon has committed to using all-electric vehicles and transitioning to biofuels for all its trucks, ships and aircraft. But is only addressing emissions enough to mitigate the current climate crisis?
What does not figure into the climate calculus of the new emission-halving plan is that the Pentagon can still continue to destroy Earth’s natural systems that help sequester carbon and generate oxygen. For example, the plan ignores the Pentagon’s continuing role in the annihilation of whales, in spite of the miraculous role that large cetaceans have played in delaying climate catastrophe and “maintaining healthy marine ecosystems,” according to a report by Whale and Dolphin Conservation. This fact has mostly gone unnoticed until only recently.
There are countless ways in which the Pentagon hobbles Earth’s inherent abilities to regenerate itself. Yet, it has been the decimation of populations of whales and dolphins over the last decade—resulting from the year-round, full-spectrum military practices carried out in the oceans—that has fast-tracked us toward a cataclysmic environmental tipping point.
The other imminent danger that whales and dolphins face is from the installation of space-war infrastructure, which is taking place currently. This new infrastructure comprises the development of the so-called “smart ocean,” rocket launchpads, missile tracking stations and other components of satellite-based battle. If the billions of dollars being plowed into the 2022 defense budget for space-war technology are any indication of what’s in store, the destruction to marine life caused by the use of these technologies will only accelerate in the future, hurtling Earth’s creatures to an even quicker demise than already forecast.
Whale Health: The Easiest and Most Effective Way to Sequester Carbon
It’s first important to understand how whales are indispensable to mitigating climate catastrophe, and why reviving their numbers is crucial to slowing down damage and even repairing the marine ecosystem. The importance of whales in fighting the climate crisis has also been highlighted in an article that appeared in the International Monetary Fund’s Finance and Development magazine, which calls for the restoration of global whale populations. “Protecting whales could add significantly to carbon capture,” states the article, showing how the global financial institution also recognizes whale health to be one of the most economical and effective solutions to the climate crisis.
Throughout their lives, whales enable the oceans to sequester a whopping 2 billion metric tons of carbon dioxide per year. That astonishing amount in a single year is nearly double the 1.2 billion metric tons of carbon that was emitted by the U.S. military in the entire 16-year span between 2001 and 2017, according to an article in Grist, which relied on a paper from the Costs of War Project at Brown University’s Watson Institute.
The profound role of whales in keeping the world alive is generally unrecognized. Much of how whales sequester carbon is due to their symbiotic relationship with phytoplankton, the organisms that are the base of all marine food chains.
The way the sequestering of carbon by whales works is through the piston-like movements of the marine mammals as they dive to the depths to feed and then come up to the surface to breathe. This “whale pump” propels their own feces in giant plumes up to the surface of the water. This helps bring essential nutrients from the ocean depths to the surface areas where sunlight enables phytoplankton to flourish and reproduce, and where photosynthesis promotes the sequestration of carbon and the generation of oxygen. More than half the oxygen in the atmosphere comes from phytoplankton. Because of these infinitesimal marine organisms, our oceans truly are the lungs of the planet.
More whales mean more phytoplankton, which means more oxygen and more carbon capture. According to the authors of the article in the IMF’s Finance and Development magazine—Ralph Chami and Sena Oztosun, from the IMF’s Institute for Capacity Development, and two professors, Thomas Cosimano from the University of Notre Dame and Connel Fullenkamp from Duke University—if the world could increase “phytoplankton productivity” via “whale activity” by only 1 percent, it “would capture hundreds of millions of tons of additional CO2 a year, equivalent to the sudden appearance of 2 billion mature trees.”
Even after death, whale carcasses function as carbon sinks. Every year, it is estimated that whale carcasses transport 190,000 tons of carbon, locked within their bodies, to the bottom of the sea. That’s the same amount of carbon produced by 80,000 cars per year, according to Sri Lankan marine biologist Asha de Vos, who appeared on TED Radio Hour on NPR. On the seafloor, this carbon supports deep-sea ecosystems and is integrated into marine sediments.
Vacuuming CO2 From the Sky—a False Solution
Meanwhile, giant concrete-and-metal “direct air carbon capture” plants are being planned by the private sector for construction in natural landscapes all over the world. The largest one began operation in 2021 in Iceland. The plant is named “Orca,” which not only happens to be a type of cetacean but is also derived from the Icelandic word for “energy” (orka).
Orca captures a mere 10 metric tons of CO2 per day—compared to about 5.5 million metric tons per day of that currently sequestered by our oceans, due, in large part, to whales. And yet, the minuscule comparative success by Orca is being celebrated, while the effectiveness of whales goes largely unnoticed. In fact, President Joe Biden’s $1 trillion infrastructure bill contains $3.5 billion for building four gigantic direct air capture facilities around the country. Nothing was allocated to protect and regenerate the real orcas of the sea.
If ever there were “superheroes” who could save us from the climate crisis, they would be the whales and the phytoplankton, not the direct air capture plants, and certainly not the U.S. military. Clearly, a key path forward toward a livable planet is to make whale and ocean conservation a top priority.
‘We Have to Destroy the Village in Order to Save It’
Unfortunately, the U.S. budget priorities never fail to put the Pentagon above all else—even a breathable atmosphere. At a December 2021 hearing on “How Operational Energy Can Help Us Address Logistics Challenges” by the Readiness Subcommittee of the U.S. House Armed Services Committee, Representative Austin Scott (R-GA) said, “I know we’re concerned about emissions and other things, and we should be. We can and should do a better job of taking care of the environment. But ultimately, when we’re in a fight, we have to win that fight.”
This logic that “we have to destroy the village in order to save it” prevails at the Pentagon. For example, hundreds of naval exercises conducted year-round in the Indo-Pacific region damage and kill tens of thousands of whales annually. And every year, the number of war games, encouraged by the U.S. Department of Defense, increases.
They’re called “war games,” but for creatures of the sea, it’s not a game at all.
Pentagon documents estimate that 13,744 whales and dolphins are legally allowed to be killed as “incidental takes” during any given year due to military exercises in the Gulf of Alaska.
In waters surrounding the Mariana Islands in the Pacific Ocean alone, the violence is more dire. More than 400,000 cetaceans comprising 26 species were allowed to have been sacrificed as “takes” during military practice between 2015 and 2020.
These are only two examples of a myriad of routine naval exercises. Needless to say, these ecocidal activities dramatically decrease the ocean’s abilities to mitigate climate catastrophe.
The Perils of Sonar
The most lethal component to whales is sonar, used to detect submarines. Whales will go to great lengths to get away from the deadly rolls of sonar waves. They “will swim hundreds of miles… and even beach themselves” in groups in order to escape sonar, according to an article in Scientific American. Necropsies have revealed bleeding from the eyes and ears, caused by too-rapid changes in depths as whales try to flee the sonar, revealed the article.
Low levels of sonar that may not directly damage whales could still harm them by triggering behavioral changes. According to an article in Nature, a 2006 UK military study used an array of hydrophones to listen for whale sounds during marine maneuvers. Over the period of the exercise, “the number of whale recordings dropped from over 200 to less than 50,” Nature reported.
“Beaked whale species… appear to cease vocalising and foraging for food in the area around active sonar transmissions,” concluded a 2007 unpublished UK report, which referred to the study.
The report further noted, “Since these animals feed at depth, this could have the effect of preventing a beaked whale from feeding over the course of the trial and could lead to second or third order effects on the animal and population as a whole.”
The report extrapolated that these second- and third-order effects could include starvation and then death.
The ‘Smart Ocean’ and the JADC2
Until now, sonar in the oceans has been exclusively used for military purposes. This is about to change. There is a “subsea data network” being developed that would use sonar as a component of undersea Wi-Fi for mixed civilian and military use. Scientists from member nations of the Institute of Electrical and Electronics Engineers (IEEE), including, but not limited to Australia, China, the UK, South Korea and Saudi Arabia, are creating what is called the “Internet of Underwater Things,” or IoUT. They are busy at the drawing board, designing data networks consisting of sonar and laser transmitters to be installed across vast undersea expanses. These transmitters would send sonar signals to a network of transponders on the ocean surface, which would then send 5G signals to satellites.
Utilized by both industry and military, the data network would saturate the ocean with sonar waves. This does not bode well for whale wellness or the climate. And yet, promoters are calling this development the “smart ocean.”
The military is orchestrating a similar overhaul on land and in space. Known as the Joint All-Domain Command and Control (JADC2), it would interface with the subsea sonar data network. It would require a grid of satellites that could control every coordinate on the planet and in the atmosphere, rendering a real-life, 3D chessboard, ready for high-tech battle.
In service to the JADC2, thousands more satellites are being launched into space. Reefs are being dredged and forests are being razed throughout Asia and the Pacific as an ambitious system of “mini-bases” is being erected on as many islands as possible—missile deployment stations, satellite launch pads, radar tracking stations, aircraft carrier ports, live-fire training areas and other facilities—all for satellite-controlled war. The system of mini-bases, in communication with the satellites, and with aircraft, ships and undersea submarines (via sonar), will be replacing the bulky brick-and-mortar bases of the 20th century.
Its data-storage cloud, called JEDI (Joint Enterprise Defense Infrastructure), will be co-developed at a cost of tens of billions of dollars. The Pentagon has requested bids on the herculean project from companies like Microsoft, Amazon, Oracle and Google.
Save the Whales, Save Ourselves
Viewed from a climate perspective, the Department of Defense is flagrantly barreling away from its stated mission, to “ensure our nation’s security.” The ongoing atrocities of the U.S. military against whales and marine ecosystems make a mockery of any of its climate initiatives.
While the slogan “Save the Whales” has been bandied about for decades, they’re the ones actually saving us. In destroying them, we destroy ourselves.
Koohan Paik-Mander, who grew up in postwar Korea and in the U.S. colony of Guam, is a Hawaii-based journalist and media educator. She is a board member of the Global Network Against Weapons and Nuclear Power in Space, a member of the CODEPINK working group China Is Not Our Enemy, and an advisory committee member for the Global Just Transition project at Foreign Policy in Focus. She formerly served as campaign director of the Asia-Pacific program at the International Forum on Globalization. She is the co-author of The Superferry Chronicles: Hawaii’s Uprising Against Militarism, Commercialism and the Desecration of the Earth and has written on militarism in the Asia-Pacific for the Nation, the Progressive, Foreign Policy in Focus and other publications.
Banner image: flickr (CC BY-NC-ND 2.0)
“You Can Kill a Man, but You Can’t Kill an Idea” – Medgar Evers
This article first appeared in Common Dreams.
“After a year of strikes—and having faced brutal repression that claimed some 700 lives—India’s farmers are victorious in their struggle.”
Workers’ rights activists around the globe rejoiced on Friday after Indian Prime Minister Narendra Modi announced that his government will repeal three corporate-friendly agricultural laws that the nation’s farmers have steadfastly resisted for more than a year.
The Samyukta Kisan Morcha (SKM), a coalition of over 40 farmers’ unions that led the protests, called the development a “historic victory” for those “who struggled resolutely, unitedly, continuously, and peacefully for one year so far in the historic farmers’ struggle,” India Today reported, citing a statement from SKM.
“Prime Minister Narendra Modi’s announcement to repeal three farm laws is a welcome step in the right direction,” said SKM, though the organized labor coalition did not commit to ending its mobilization. “SKM hopes that the government of India will go the full length to fulfill all the legitimate demands of protesting farmers, including statutory legislation to guarantee a remunerative MSP [Minimum Support Price].”
Rakesh Tikait, a leader of the Bharatiya Kisan Union, welcomed Modi’s announcement but said that “we will wait for the day when the farm laws are repealed in Parliament,” where the winter session starts on November 29. He added that in addition to the MSP demand, “the government should talk to farmers on other issues.”
Modi’s announcement—and the sustained resistance of India’s farmers—were celebrated by progressives worldwide.
BREAKING: After a year of strikes — and having faced brutal repression that claimed some 700 lives — India's farmers are victorious in their struggle. Prime Minister Narendra Modi will repeal his highly-unpopular farm laws.
— Progressive International (@ProgIntl) November 19, 2021
“We will wait for the day when the farm laws are repealed in Parliament.”
Al Jazeera reported that Modi’s “sudden concession comes ahead of elections early next year in Uttar Pradesh, India’s most populous state, and two other northern states with large rural populations.” Opposition parties attributed the prime minister’s move to sinking poll numbers, characterizing it as part of an effort to appeal to voters who support or sympathize with the nation’s struggling farmers.
According to CNN, “Farmers are the biggest voting bloc in the country, and the agricultural sector sustains about 58% of India’s 1.3 billion citizens. Angering farmers could see Modi lose a sizable number of votes.”
As India Today noted, “Hundreds of farmers have been camping at three places on the Delhi border since November 2020, demanding the repeal of the Farmers’ Produce Trade and Commerce (Promotion and Facilitation) Act, 2020; Farmers’ (Empowerment and Protection) Agreement on Price Assurance and Farm Services Act, 2020; and the Essential Commodities (Amendment) Act, 2020.”
For over a year, CNN reported, “Indian farmers have fought the three laws, which they said leave them open to exploitation by large corporations and could destroy their livelihoods.”
Al Jazeera explained that “the legislation the farmers object to,” passed last September, “deregulates the sector, allowing farmers to sell produce to buyers beyond government-regulated wholesale markets, where growers are assured of a minimum price.”
Modi’s cabinet said the laws are “aimed at giving farmers the freedom to sell directly to institutional buyers such as big trading houses, large retailers, and food processors,” Reuters reported. While Modi claimed the legislation “will ‘unshackle’ millions of farmers and help them get better prices,” opposition parties said that “farmers’ bargaining power will be diminished.”
Small farmers expressed alarm about the legislation, saying that “the changes make them vulnerable to competition from big business, and that they could eventually lose price support for staples such as wheat and rice,” Al Jazeera reported.
Beginning last September, farmers from regions of India that are major producers of wheat and rice blocked railway tracks, which was followed by larger, nationwide protests, including some that used trucks, tractors, and combine harvesters to block highways leading to New Dehli, the nation’s capital.
By last December, “protests spread across India, as farm organizations call[ed] for a nationwide strike after inconclusive talks with the government,” Reuters reported, adding that demonstrations also took place throughout the Sikh diaspora.
In January, “India’s Supreme Court order[ed] an indefinite stay on the implementation of the new agricultural laws, saying it wanted to protect farmers and would hear their objections,” the news outlet noted.
Over the course of several months, which included a brutal winter and a devastating Covid-19 surge, farmers continued to agitate for full repeal of the three laws. Repression from Modi’s right-wing Hindu nationalist Bharatiya Janata Party resulted in hundreds of deaths.
At the largest rally to date, more than half a million farmers gathered in Uttar Pradesh on September 5, roughly 10 weeks before Modi announced that he will repeal the laws.
In response to Modi’s decision on Friday, “farmers at [the] protest sites of Ghazipur, Tikri, and Singhu borders celebrated by bursting crackers, distributing sweets, and welcoming the [government’s] move,” India Today reported.
The Transnational Institute praised “the resilience, courage, and determination of India’s farmers who succeeded in overturning the pernicious farm laws,” calling it “the power of movements.”
Inspired by the resilience, courage and determination of India's farmers who succeeded in overturning the pernicious farm laws. This is the power of movements.
Thread below tells some important parts of the story https://t.co/ot7OFRRmVT
— Transnational Institute (@TNInstitute) November 19, 2021
“The repeal of the three farm laws… is a major political victory for India’s peasant movement.”
That sentiment was shared by numerous other observers.
“The repeal of the three farm laws—unconstitutional, with no demonstrable benefits, and aimed to expand corporate control over agriculture—is a major political victory for India’s peasant movement,” said R. Ramakumar, an economics professor in the School of Development Studies at the Tata Institute of Social Sciences in Mumbai. “Their resolute struggle has shown and amplified the power of dissent in our democracy.”
Priyamvada Gopal, a professor of postcolonial studies at the University of Cambridge, placed the overturning of Modi’s unpopular reforms in a broader context, arguing that “the victory of farmers in North India is not a local matter.”
“This is a victory of global significance,” she added. “Immense class and oppressed caste solidarity, fierce determination, [and] deep courage defeated the combine of chauvinist authoritarianism and corporate greed—our common enemy.”
This story first appeared in Mongabay.
A group of women in rural El Salvador is standing up against a major infrastructure project that threatens to clear hundreds of hectares of forest and cut off access to rivers that provide the community with clean drinking water.
The project, known as Ciudad Valle El Ángel, involves the construction of thousands of stores, hotels and houses in Apopa municipality, an hour north of the capital, San Salvador, where much of the land is still rural and many residents rely on subsistence farming.
Completing the project requires clearing 351 hectares (867 acres) of forest and installing eight industrial wells that will divert 17 million liters (4.5 million gallons) of water a day from the Chacalapa River watershed.
Around 2,000 people rely directly on the watershed for cooking, drinking, cleaning and crop cultivation, according to local environmental advocacy groups. The river also indirectly benefits another 60,000 people in 21 neighboring communities.
“Nothing about the project benefits the poorer classes. They’re building this for the upper classes, for the people who can pay,” said Sara García, coordinator of the Kawoq Women’s Collective, the eco-feminist organization protesting Ciudad Valle El Ángel.
The collective is made up of around 50 local women of all ages, who recognize that the destruction of Apopa’s ecology will have a direct impact on residents’ quality of life — especially the lives of women.
“We are the ones that spend the most time at home,” García said, “taking care of the water, preparing food. If there is no water, there is no food. There is more work for us and more fatigue and the deterioration of our bodies.”
She added, “I’m not saying that men aren’t also affected. But because of the burden imposed on us by a patriarchal system, we suffer the most.”
The Kawoq Women’s Collective has spent the last decade trying to stave off development projects that threaten local ecosystems. In that time, it has witnessed the arrival of some stores and gas stations as well as a highway that now connects the area to San Salvador. García said she viewed the highway as a precursor to the construction taking place today, an attempt to attract people looking for quick trips out of the city.
When the Ciudad Valle El Ángel project was announced in 2018, the collective started working with other local organizations to stage protests, sit-ins and letter-writing campaigns.
Public pressure helped move plans to drill the wells along the skirts of the San Salvador volcano to other parts of the watershed farther away from vulnerable residents of Apopa. But they said the new plans would still divert most of their drinking water, and possibly contaminate what remains.
In addition to direct diversion of water from the Chacalapa River, deforestation of nearby forests has the potential to decrease access to potable water because the cleared land won’t be able to stop runoff and filter harmful chemicals.
“We are beneficiaries of the Chacalapa River system,” said Johana Mejía, the president of Apopa’s community water board, “and because of that, we have to act.”
Sociedad Dueñas Hermanos Limitada, the company carrying out the project, did not respond to a request for comment.
In 2019, legal representatives for the community filed a complaint in the country’s environmental court that highlighted the irreversible ecological damage of the project, but it was denied.
In other lawsuits, the community has claimed the government failed to adequately carry out environmental studies and the consultation process, in which residents are given an opportunity to air their concerns with officials and developers.
In a statement to Mongabay, El Salvador’s Ministry of Environment and Natural Resources said it had carried out all required technical studies, identified all environmental impacts and established the proper measures to “prevent, mitigate and correct said impacts on soil, water, air and flora and fauna.”
Another lawsuit claims there were irregularities in the permit process between the project developer and the local water service, which didn’t respond to Mongabay’s request for comment.
So far, the lawsuits haven’t managed to stop construction, only delay the start date. In the meantime, other small-scale development projects have arrived in hopes of taking advantage of the area’s potential economic boom. The community is fighting scattered instances of deforestation and the drilling of wells, Mejía said.
In May, the country’s newly elected congress voted to remove five members of the Supreme Court, creating international concern that President Nayib Bukele, whose party now has a majority in congress, had threatened the country’s democracy and overstepped his power.
For Apopa residents, it was a sign that their cases might never receive fair consideration.
“In the community, there is always the hopeless outlook that we can’t stop what’s coming,” Mejía said, “that we can’t demand our rights to water because there is too much corruption. But there is another percentage that says no, we have to do something.”
Banner image: A lone sign of protest sits on cleared land with the San Salvador volcano looming in the distance. Image via Joya Galana/Junta Comunitaria de Agua.
This article first appeared on the Association for the Tree of Live Website.
By JEAN ARNOLD
A ravenous, yet decrepit cyborg – part machine, part zombie – lurches onward as it is programmed to do. Its hunger is so insatiable that it eats its own flesh; it eats its offspring; and it eats the future. The catabolic effects are inescapable and its death rattle reverberates for miles. An entire city lives inside this beast. Yet in this late hour, inhabitants put their heads down and carry-on as usual, for they are all dependent upon this monster for their very own food, water, and shelter. No one dares utter a stray word, until the day one brave soul holds up a mirror that reveals who they have become.
A decade ago, I attended a series of contentious activist meetings with Rio Tinto, the mega-mining corporation that owns the massive Kennecott copper pit in the Salt Lake Valley. Rio Tinto planned to expand the mine, and activists were pushing back. The meetings foundered and collapsed upon the lack of viable possibilities for avoiding local impacts and for making operations more sustainable. Activists’ proposals were considered impractical and unprofitable. Ultimately, Kennecott got its expansion and activists got nothing.
Jean Arnold, Civilization, 2012, oil on canvas, 42 x 42 inches.
An early Egyptian pyramid is seen with the gaping hole of the Kennecott copper pit. As civilization builds up monuments to itself, it must tear down into Earth for her treasures.
As a visual artist, I took my angst to the studio and captured eviscerated earth in a series of paintings and drawings, depicting large-scale mining operations that are rarely seen or considered by the public. What better way to reveal our civilization’s insatiable hunger for resources?
I realized that the mining industry cannot be greened, intrinsically by its very nature. Mining casts a long shadow: habitat loss, land theft, worker exploitation, local health impacts, and groundwater contamination, to name just a few issues. Without mining and other forms of extraction, Industrial Civilization could not exist. Yet we rarely ponder our Wonder-World’s material basis and its extraction costs.
Turns out I’m not the only one working in this vein – far from it.
This year a broad panoply of photographers, painters, poets, and printmakers are raising a ruckus in a four-continent constellation of almost sixty exhibits, installations, performances, and events under the rubric “EXTRACTION: Art on the Edge of the Abyss.” When EXTRACTION originator Peter Koch announced the project, it took off like wildfire. Creators are shining lights on all forms of the omnivorous extractive industry, “from mining and drilling to the reckless plundering and exploitation of fresh water, fertile soil, timber, marine life, and innumerable other resources across the globe.” The project’s broad definition begs the questions: In our civilization, what isn’t based on extraction? What isn’t affected by extraction?
The Algonquin word “wetiko” reveals extraction as a symptom of the culture-wide soul-sickness driven by domination, greed, and consumptive excess. It blinds humans from seeing ourselves as part of an interdependent whole, in communion with all of life. It is through this toxic mindset that the world is divided up and consumed for profit.
Extraction is an uncomfortable topic: it confronts us with our system’s voracious appetite for taking Earth’s riches without reciprocity – the very epitome of wetiko. Sure, we can point at capitalism, corporations and elite interests, but as participants in this wetiko culture we are all infected by this mind virus.
Far beyond a “problem” – extraction and its consequences pose a predicament without escape. Humanity is hitting planetary limits: declining resources, excess CO2 in the atmosphere, and plastic choking our oceans. Many of the proposed “solutions,” are just new iterations of the same paradigm, bringing more extraction. For example, see our blog “We are Strip-Mining Life While We Drink ‘Bright Green Lies’” as to why “green” tech will never save us. Humanity has dug itself deep into a hole from which few of us may emerge.
Since stories create meaning, the “wetikonomy” seeks to maintain itself through a tight control over its own narratives. In our situation, the system rewards those that uphold its delusions: endless growth, techno-magic, fulfillment through consumption, and superiority over nature. We are told there is no alternative and things are getting better all the time.
Stephen Braun, The Hoarder, 2009, raku ceramics, 24 x 30 x 8 inches.
Clinging to the same mentality at the root cause of the crises.
The pressure to act according to these grand-yet-contradictory narratives is pervasive, which means compliance is near-universal. Witness the charades played by world leaders and diplomats at decades of climate conferences, giving lip service to fossil fuel phase-out while maintaining the techno-growth-extraction paradigm – essentially mocking the stated climate goals by clinging to the same mentality at the root cause of the crisis. Does anyone think this year’s climate conference, COP26 in Glasgow will play out differently?
Why are people so willing to surrender their agency? Society is captivated by a grand bargain described by social critic Lewis Mumford in his 1964 essay “Authoritarian and Democratic Technics”:
The bargain … takes the form of a magnificent bribe … each member of the community may claim every material advantage … food, housing, swift transportation, instantaneous communication, medical care, entertainment, education. But on one condition: that one must not merely ask for nothing that the system does not provide, but likewise agree to take everything offered … Once one opts for the system no further choice remains.
In other words, the bribe offers everyone a share in the largess, that is, the cornucopia of material goods unleashed by this industrial economy — as long as one does not question the costs to others, to ecosystems, or to the future.
The wetiko-spirit hates to be seen and named, as this begins to dissolve its parasitic power over its host. Dissent against the existing paradigm is ignored, penalized, or co-opted – that is, absorbed into the hegemony. Until it’s not. The time comes when costs become unbearable, limits are reached, and opposition finally boils over.
Thus, the last thing the power structure wants is a cultural spotlight on extraction, which exposes the core of our malady. And certainly not through art, which has a visceral, soul-level power – a power that scientific reports, statistics, and warnings do not have. Art can play a prophetic role: bearing witness to unsettling matters and grabbing attention before we can turn away. It can portray possibilities previously unconsidered, vitally needed at this time.
Jos Sances, Or, the Whale, 2108-2109, scratchboard, 14 x 51 feet
This very large scratchboard drawing was inspired by Moby Dick and the history of whaling in America. The whale’s skin is embedded with a history of capitalism in America—images of human and environmental exploitation and destruction since 1850.
EXTRACTION co-founder Edwin Dobb (now deceased) posed the question of our time: Can we break the spell? A growing chorus on the periphery – Greta Thunberg, poets, painters, performance artists, Extinction Rebellion – is revealing the sociopathic end-game holding us in its grip and unraveling slowly in real time. Learning to see wetiko within ourselves and our culture can begin to break its spell. Can we come to see our own hubris? Contraction is coming whether we like it or not – how can we deal with this if we are spellbound? We have no individual or collective roadmap for the coming post-extraction Reality.
The EXTRACTION project’s exhibits and events are winding down, although organizers hope for continuation in some form. Only a few more venues are scheduled to open, yet its effects will continue rippling outwards. The project has legitimized the extraction art movement and showcased some of today’s most potent work. It has broadened my own definition of extraction-inspired art, which helps me see new possibilities. The project will live on in the evolving work of extraction artists and in others forging authentic responses to our global predicaments. Art is all-too-often wed to money and societal embrace, compromising its own power and obscuring rather than illuminating Reality. Artmaking on the margins is not easy, so supporting this work is necessary.
Chris Boyer, Atlantic Salmon Pens, Welshpool, New Brunswick, Canada (44.885980°, -66.959243°), 2018.
Art that challenges the wetiko-extraction paradigm will become even more relevant, as extraction’s impacts widen. Extraction art is not going away, until extraction itself goes away. While industrial-scale extraction has “only” been with us for four hundred years, art has been with us for thousands of generations, since our early ancestors rendered images inside caves.
Listen to an audio of this blog, narrated by Michael Dowd.
Learn more about the EXTRACTION project.
EXTRACTION megazine (648 pages): download for free or purchase a printed copy for $25 + $7 shipping.
Partly a group catalog of extraction-related artwork, each artist or creator’s individual contribution documents their own personal investigations into the extraction question. The project is by no means limited to the visual arts—in these pages you will also find poetry, critical writings, philosophical treatises, manifestos, musical scores, conversations, historical or found photographs, and much more.
Make a donation to the EXTRACTION project.
No. 2 from Russian Drone Paintings (Mir Diamond Mine, Siberia) by Lawrence Gipe
Standing on the brink, before the towering back wall of the Berkeley, whose semi-circular sloping terraces resemble a gigantic Greek amphitheater, one is overtaken by a sense of doom…Viewed from the edge, the pit is a théâtre du sacrifice. The gateway to dominion is also a staircase to hell – Milton’s ‘wild Abyss’, the womb and grave of nature.
– Edwin C. Dobb, ‘The Age of the Sacrifice Zone’, EXTRACTION: Art on the Edge of the Abyss
In 2016, tens of thousands of snow geese, midway through their winter migration from Alaska to northern Mexico, diverted from their route in order to avoid a storm. Many landed on a blue lake at the bottom of a deep crater. But the water was not right; it hurt. Within minutes the exhausted birds were dropping dead in their thousands. Officials from the US Fish and Wildlife Service, examining the corpses afterwards, found burns inside their bodies, evidence of the cadmium, copper, arsenic, zinc and sulphuric acid they had sought to shelter on. This deadly toxic soup was what filled Montana’s milelong Berkeley Pit, leftover tailings from Butte’s heyday as the copper mining capital of the world, now one of the largest environmental clean-up sites in the country.
In 2020, the poisoned rivers, the hacked, fracked and exploded ground, the countless wounds from the thousands of mining projects in the American West inspired Peter Koch, founder and director of the CODEX Foundation, a California-based arts nonprofit, to launch a project called EXTRACTION: Art on the Edge of the Abyss. This ‘multimedia, multi-venue, cross-border art intervention’ invited artists from around the world to examine all forms of extractive industry, from open-cast mines in Butte to the exploitation of water, minerals, timber, coal, sand, animal and marine life, and the innumerable other ‘resources’ that fuel the global economy. EXTRACTION co-founder Edwin C. Dobb, who passed away in 2019, called this the ‘age of the sacrifice zone’, after an official government term for the areas that are left despoiled as the accepted collateral damage of so-called ‘progress’.
Dark Mountain’s 20th issue, ABYSS, is a response to that project’s call, bringing an uncivilised eye to the mindset of extractivism: an insatiable, pathological drive that has fuelled a seemingly endless expansion in energy use, manufacturing and economic activity. Just as our consumption appears to have no end in sight, there are no geographical limits: as mining or drilling operations shut down in one part of the world, having exhausted their seams or become economically unviable, new ones open up elsewhere – many of them to power the so-called ‘green’ technology boom.
Governments and billionaires dream of extending this frontier deeper and higher than ever before, from deep-sea mining on the ocean floor to plundering the minerals of other planets. Impelled by the need to take, take, take, the appetite of extractivism is all-consuming and unending.
In ABYSS , Alnoor Ladha and Martin Kirk write that we are living in the age of wetiko, an Algonquin term for a cannibalistic spirit that spreads like a virus. Amitav Ghosh draws the link between capitalist imperialism today and the 17th-century Dutch colonists in Indonesia’s Banda Islands, who massacred the indigenous population in order to gain control over the trade in nutmeg. And in South Africa, colonised for its mineral wealth and fertile land, Sage Freda writes of how environmental and human exploitation are inextricably linked; the more we wreck and ravage the Earth, the more deeply we damage ourselves. As wetiko spreads across the world, all of us – and all other species – end up living and dying in the sacrifice zone.
From the Amazon to the Niger Delta, the Atacama Desert to the Minnesota wetlands, communities and indigenous people are attempting to defend the living world from devastation. Many contributors to ABYSS are part of the pushback against the pillage: from the protest camp at the proposed lithium mine at Thacker Pass, Nevada, and from a deep-sea oil rig in New Zealand’s Great South Basin, we bring you stories from the activist front line. Derrick Jensen, Lierre Keith and Max Wilbert take us to China’s giant black lake full of toxic run-off from the rare-earth metal mining that powers our laptops and phones. And we meet a Romanian peasant farmer whose fight against fracking and open-cast mining has helped to save one of Europe’s last medieval landscapes.
How do we remain fully human while so much around us is being destroyed, especially as we (at least, some of us) enjoy so many of the material benefits that devastation brings?
Extractivism’s story can be told through these struggles, as it can be told through statistics: that China now consumes more sand for concrete and cement every three years than the US consumed in the entire 20th century; that wild animal populations have decreased by 60% in the last 50 years. But this book also tells the story of how extractivism feels – how do we remain fully human while so much around us is being destroyed, especially as we (at least, some of us) enjoy so many of the material benefits that devastation brings? The fiction and poetry in this book navigate this tricky terrain, from Claire Wahmanholm’s haunting depictions of glaciers melting on the page to Tacey Atsitty’s wrenching depiction of the poisoned water supplies of the Diné in the American Southwest.
Photography, observes Richard Misrach, is a profound means of bearing witness. Many images in this all-colour issue come from the EXTRACTION project, giving evidence of the otherwise invisible toll of our voracious appetites, from David Maisel’s turquoise lithium ponds in the Atacama Desert to Lawrence Gipe’s stunning cover image depicting the largest hole on the planet in Siberia. Noble views of sublime natural landscapes give way to surveys of industrial ravages, as artists behold the world’s dams, tailing ponds, abandoned mines, oilfields, slag heaps and quarries, and the walls of granite, marble and coal that lie beneath. Among the litany of disappeared places, Jaime Black’s The REDress Project alerts us to the absences of indigenous women in Canada, while Aboriginal artist Betty Muffler shows the scale and beauty of the Earth repair required in her post-nuclear work, Healing Country. This is the world we do not see: the reality that powers the illusion of our spellbound lifestyles, with our sparkly wedding rings, our magical keyboards, our salmon and steak dinners, our electric cars gliding towards the emerald green cities of the future.
Once you start looking through the lens of extractivism, you start to see it everywhere – in the intellectual industries’ absorption of organic life and culture to feed its never-ending appetite for analysis and codification; in the teetering stacks of digital finance, each newly created layer of speculative instrument appropriating value from the one below it; and in the exploitation of ‘human resources’, making ever-greater demands on workers’ psychological and physical labour while demanding they carry ever more of the economic risk. And the suspicion arises that, behind all these manifestations of extraction, lies the same emotional and metaphysical vacuum – a hole in the heart as long and wide as the Berkeley pit: unappeasable, irrational, and ultimately incapable of ever being filled.
IMAGE: No. 2 from Russian Drone Paintings (Mir Diamond Mine, Siberia) Oil on canvas Courtesy of the artist
Gipe’s latest series, Russian Drone Paintings is based on images taken by drones for news programmes and surveillance posted on the government–run RUPTLY Network. Each painting consists of a frozen frame from this feed with subjects like pit mines in Siberia, bombings in Syria, ghost towns on remote mountains, towns abandoned because of radiation, and other residual evidence of interventions into nature.
Lawrence Gipe’s practice engages the postmodern landscape and the visual rhetoric of progress, in media that ranges between painting, drawing, video and collaborative curatorial projects. Gipe has had 60 solo exhibitions in galleries and museums in New York, Beijing, San Francisco, Chicago, Los Angeles, Miami, Munich, Berlin and Düsseldorf. Currently, he splits his time between his studio in Los Angeles, CA, and Tucson, AZ, where he is an Associate Professor of Studio Art at the University of Arizona.
Order Dark Mountain: Issue 20 – ABYSS now from our website for £19.99 (plus postage) – or take out a subscription to future issues of Dark Mountain and receive Issue 20 for £11.99.
Editor’s note: The preferred method to stop a coal port for hours or days would be anonymously, so as to “live to fight another day”. But this action does highlight the fact that this port exports 158 million tonnes of coal a year. This action shows just how vulnerable the system is. It can be stopped when two people have the courage to throw their bodies on the cogs.
We must fight empire “by any means necessary.”” —Frantz Fanon
This story first appeared in Common Dreams.
“It is now our duty to defend the biosphere that gives us life and to every person that Australia has forgotten and ignored,” said Hanna Doole of the campaign group Blockade Australia.
By JULIA CONLEY
November 17, 2021
A two-person protest halted operations at the world’s largest coal port early Wednesday morning, as two women scaled the Port of Newcastle in New South Wales, Australia to protest their government’s refusal to take far-reaching climate action.
Hannah Doole and Zianna Faud—both members of the campaign group Blockade Australia—filmed themselves suspended on ropes attached to the port, where they forced the transport of coal to stop for several hours.
“I’m here with my friend Zianna, and we’re stopping this coal terminal from loading all coal into ships and stopping all coal trains,” said Doole.
Zianna says, “This is me choosing to not give away my political agency to a symbolic demonstration every four years. Just like climate and ecological collapse, political turning points are human-induced. They depend on us.” Watch the livestream here: https://t.co/fBJXEU8uxE pic.twitter.com/Oou8sKjtxk
— Blockade Australia (@BlockadeAus) November 16, 2021
The Port of Newcastle exported 158 million tonnes of coal in 2020, and its production is not expected to slow down in the coming years despite clear warnings from climate scientists that the continued extraction of coal and fossil fuels will make it impossible to limit global heating to 1.5°C above preindustrial temperatures.
“Another system is possible and we know that because one existed on this continent for tens of thousands of years,” said Doole. “It is now our duty to defend the biosphere that gives us life and to every person that Australia has forgotten and ignored.”
“In a system that only cares about money, non-violent blockading tactics that cause material disruption are the most effective and accessible means of wielding real power.”
On the heels of COP26, where world leaders agreed to a deal pledging to phase down “unabated” coal power, Australian Prime Minister Scott Morrison said Monday that the country will continue producing coal for “decades to come.”
Despite the state of emergency New South Wales officials were forced to declare less than two years ago as wildfires scorched millions of acres of land, destroyed more than a thousand homes, and killed nearly 500 million animals and more than a dozen people, Morrison claimed his continued commitment to coal extraction was akin to “standing up for our national interests.”
Morrison pledged last month to make Australia carbon-neutral by 2050, but his statement was denounced as a “political scam, relying on unproven carbon capture technology without phasing out fossil fuel extraction.
Organizers said Doole and Faud’s protest took place on Blockade Australia’s tenth straight day of direct actions targeting the Port of Newcastle as the grouo denounces the government’s plan to continue exporting the second-largest amount of coal in the world per year.
Earlier this week a woman prevented coal trains from entering the Port of Newcastle by locking herself to a railroad track, and on Tuesday two other advocates held a demonstration on machinery used to load coal at the port.
“In a system that only cares about money, non-violent blockading tactics that cause material disruption are the most effective and accessible means of wielding real power,” said Blockade Australia on Wednesday.
The two demonstrators were arrested after scaling the port for several hours. Faud appeared in court on Wednesday following the protest, where she pleaded guilty to charges of “hindering the working of mining equipment,” according to The Washington Post. She was ordered to pay a $1,090 fine, sentenced to community service, and ordered not to associate with Doole for two years. Doole is expected to appear in court on Thursday.
Blockade Australia is preparing to hold a large demonstration next June in Sydney, where the group plans to “participate in mass, disruptive action” in Australia’s political and economic center.
Banner image: flickr (CC BY-NC-SA 2.0)